Shooting portraits in daylight is all well and good but there’s a curious kind of magic at work when the sun sets and most of the ambient light is provided by street lighting, cars, retail establishments and neon signs. If there’s not enough light falling on your subject without ramping the ISO up to blizzard levels then the flashgun becomes your lighting source of choice. However, you don’t want to overpower what background light there is, so the aim is to combine the two for stylish, colourful night-time portraits.
This story is from the {{IssueName}} edition of {{MagazineName}}.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the {{IssueName}} edition of {{MagazineName}}.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
Spice up autumn
Bold autumnal colours lend themselves to bold editing techniques, says James Abbott
Breathe new life into forgotten photos with Enhance
James Paterson tries out Photoshop's AI image-enhancing tools to see if they can rescue an old, noisy, heavily-cropped raw file
Scanning ahead...
Paris 2024 was memorable not only for sport, says Jon Devo, but also innovative video tech
Shot of the month
Photojournalist Aaron Gekoski has produced a documentary about animal exploitation
10 AMAZING AUTUMN PROJECTS TO SHOOT
With summer behind us and winter approaching, autumn is an exciting creative stopgap. James Abbott explores some of its possibilities
Hotshots
Our showcase of the winning entries from the World Sports Photography Awards 2024
The art of seeing
Benedict Brain examines the tourist gaze and explores why we take 'travel' photographs
Historic streets
Andrew Bransby reveals the secrets of successfully shooting popular tourist hotspots at night
Don't get stuck in a rut
Brian Wakeling explains how get a winning shot from herds of deer
How to capture canals and docks
Wendy Evans investigates the watery arteries of the Industrial Revolution