In the past couple of weeks, I’ve made a return tour around TESO’s world, wrapped up the main story arc, and got to have a talk with two of the game’s production leads—game director Matt Firor (previously of classic PvP MMO Dark Age of Camelot) and creative director Rich Lambert. Both were eager to share their stories of the highs and lows of development, and how the game found a new identity through one of the most comprehensive overhauls of an online game to date.
TESO’s story begins 17 years ago, an eternity by videogame standards. Oblivion was only 18 months old, and Fallout 3 was an up-and-coming hit. “Our North Star at the time was Oblivion,” reminisces Firor. “The very first version of ESO we worked on—for the first two or three years—was very much a mid-2000s MMO with Oblivion’s IP. And then Skyrim launched, and everything changed.”
This prompted a fundamental redesign of the game, including massive systems and visual overhauls, according to Matt. “Skyrim was like a social phenomenon, and we knew that our original concept just wouldn’t fly in a post-Skyrim world. We were the next Elder Scrolls game to launch, so we had to make the game more Skyrim-like and we only had like a year and a half to do it.”
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Special Report- Stacked Deck - Monster Train, a deckbuilding roguelike that firmly entrenched itself as the crown prince to the kingly Slay the Spire back in 2020, was the kind of smash success you might call Champagne Big.
Monster Train, a deckbuilding roguelike that firmly entrenched itself as the crown prince to the kingly Slay the Spire back in 2020, was the kind of smash success you might call Champagne Big. Four years later, its successor Inkbound’s launch from Early Access was looking more like Sandwich Big.I’m not just saying that because of the mountain of lamb and eggplants I ate while meeting with developer Shiny Shoe over lunch, to feel out what the aftermath of releasing a game looks like in 2024. I mean, have I thought about that sandwich every day since? Yes. But also, the indie team talked frankly about the struggle of luring Monster Train’s audience on board for its next game.
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