Sigil, The City of Doors, isn’t like other cities. It’s not a place of orderly brick walls and cobbled streets, fuggy taverns and candlelit keeps. It’s not inspired by myths, fairytales, or folklore, and it can’t be contained in a single aesthetic; steampunk, biopunk, dieselpunk look sensible and uniform next to Sigil’s rusting, jagged architectures; an inn may look like a chitinous fossil, a shop of curiosities may be framed by massive blades that look like they were designed to deter the grasp of a wrathful deity. And that alley over there? Watch closely, and it may just give birth to a new street before your eyes.
Even though you can eventually become familiar with Sigil’s web of dreamlike rules – where a door might be a bloodstained cloth, or a key takes the form of a feeling – a thousand questions still remain: Who is the mysterious governess of the city, The Lady of Pain? What are her motives? How was Sigil created, and why is it floating like a planetary ring atop an impossibly tall mountain in the middle of an spatially shifting wasteland?
While much of the Planescape setting remains a mystery, its videogame iteration is well charted, and something of a holy site for PC gamers, who regularly make the pilgrimage through Sigil and its neighbouring planes as The Nameless One and his not-so-merry band of companions. Zeb Cook’s Planescape setting may predate the game, but it’s only through the game that tangible form was given to a world that defies convention.
Like the setting, Planescape: Torment’s development also didn’t play by typical rules. It was a side-project by a self-described B-team of developers at Black Isle Studios, many of whom had little experience in game development, little familiarity with the Planescape setting, and yet coalesced to create one of the greatest RPGs in PC gaming history. This is the story of how it came together.
BLACK SHEEP, BLACK ISLE
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