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STEREOPHILE'S 33RD ANNUAL - PRODUCT OF THE YEAR AWARD 2024

Stereophile

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December 2024

When Stereophile's Product of the Year Awards were first published, in 1992, we decided that unlike some other publications and their awards schemes, we would keep the number of categories to a minimum. That way, we would avoid what the late Art Dudley once described as the "every child in the class gets a prize" syndrome.

- JOHN ATKINSON

STEREOPHILE'S 33RD ANNUAL - PRODUCT OF THE YEAR AWARD 2024

This decision led to some interesting contests. In Loudspeakers, for example, high-value mini-monitors compete with cost-no-object floorstanders. In Analog Products, turntables compete with tonearms, phono cartridges, and phono preamplifiers. And in Amplification, single-box integrated amplifiers go up against separates, and low-power tube designs compete with high-power, solid-state behemoths. In Budget Product of the Year and Product of the Year, products from every category competed against each other: Out of all the products that Stereophile reviewed over the whole year, which product offered the best bang for the buck or sounded the best overall?

The competition is for a whole year, but it's not the calendar year. To be considered for our 2024 awards, only products subjected to a full review or considered in a column published from the November 2023 issue through the October 2024 issue qualify. Every product was subjected by the reviewer to a thorough evaluation over a period of weeks or months-plus, for regular reviews (not columns), a session in my test lab.

As Stereophile Editor Jim Austin wrote in the introduction to the 2022 awards: "The resulting review documents what's almost certainly the most thorough evaluation that product will receive outside the manufacturer's development lab.... That document, then - the review itself - is a product's best argument for winning an award or against it if the review lacks enthusiasm."

TWO ROUNDS OF VOTING

PLUS D'HISTOIRES DE Stereophile

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ICONS AND INNOVATORS AT DEFINITIVE AUDIO

Definitive Audio in Bellevue, Washington, near Seattle—one of the premier dealerships in the Pacific Northwest—continued its 50th anniversary celebration with an event it called “Icons and Innovators.” Highlighted by showings of the new JBL Everest series and Bowers & Wilkins Nautilus and 801 Abbey Road edition loudspeakers, the event drew a full house to the first of two sessions.

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Touched-up Beatles and Ringo in color

Opinions vary, but like everything connected to The Beatles, charged arguments over Giles Martin's ongoing remastering of, and sonic tinkering with, the band’s hallowed recording catalog are unending.

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Traveling through time and space

In the April 2024 issue of this magazine, a piece by Editor Jim Austin appeared in the “As We See It” space. It was titled “On assessing sonic illusions,” and it has haunted me for more than a year. Jim’s thesis was that a music recording is a “synthetic, whole-cloth creation ... a complete fabrication.” He writes: “Very few recordings correspond to an actual performance. Most are studio concoctions with pieced-together instrumental tracks and artificial ambience that document no sonic event that ever occurred.”

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EgglestonWorks Andra 5

Big loudspeakers are where diligent hi-fi reviewers really earn their pay.

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RECORD REVIEWS

Why award Recording of the Month to a project whose vocal soloists, though thoroughly committed, are in some respects less than ideal?

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Doshi Audio Evolution Stereo

Nick Doshi is cautiously reserved when he talks about his amplifiers, preferring to let the products speak for themselves.

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Sticking with it

David and Alma Wilson must be doing something right. They’ve been married for 50 years, and for 36 years, they’ve owned and operated Accent on Music on Main Street in Mount Kisco, New York, about an hour north of New York City. In a recent, lively Zoom conversation with the Wilsons, it became apparent that staying the course is a viable approach, for marriage and for business.

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Period-style listening

Last night, I sat on a bright yellow velveteen sofa eating red beans and rice while listening for three hours to blues and jazz from rare 78rpm records. I walked out feeling gospel-level raised up, with a head full of dreams and cultural memories.

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CH Precision L10

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Rock don't give a shit, you know

Punk rock was never meant to grow old. For their first three studio efforts, The Replacements epitomized the punk ethos. Sorry Ma, Forgot to Take Out the Trash (1981), the EP Stink (1982), and Hootenanny (1983) are loud, bashy fun.

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