In 2002, Miranda Otto found herself in the mountainous wilds of New Zealand learning swordcraft to play the role of Eowyn in the epic Lord of the Rings trilogy. On the South Island’s golden grasslands, she delivered one of the series’ most memorable lines while dispatching the Witch-King of Angmar, who had said that no man could kill him. As Miranda plunged her sword into the foe, she ripped off her helmet and declared, “I am no man!”
It was a favourite role, and one Miranda says will stay with her forever. It also gave her the chance to spend some time with her half-sister, Gracie, then 13, who stayed with her for a week on set. Gracie ended up appearing in the trilogy, and having her eyes opened to a side of filmmaking she’d never known.
The epic scale of the project was such that it was common for visitors to be recruited into the Middle Earth cast. “I think everybody’s family was an extra at some point,” Miranda laughs.
As transformational as the role was for Miranda, the visit left a lasting impact on Gracie, too. She had been raised around actors, and so had a better understanding of the craft than most, but she had never been given up-close access to such a grand production.
“It was great. I remember walking around and seeing [director] Peter Jackson in his gumboots and thinking, I just want to be like that guy. I found his job the most interesting,” she says. “I loved the film and TV world. I just never really wanted to be an actor.”
Two decades after that memorable family holiday, Miranda and Gracie have reunited on set, working together for the first time on the Disney+ series The Clearing. Miranda plays the role of Adrienne, a fearsome matriarchal figure inspired by Anne Hamilton-Byrne who presided, in pearls and a bouffant, over the 1960s Victorian doomsday cult, The Family.
This story is from the {{IssueName}} edition of {{MagazineName}}.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the {{IssueName}} edition of {{MagazineName}}.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
BATTLE FOR THE THRONE
As word of a judgement leaks from the courtroom where the Murdochs have been tussling for power, those close to the throne suggest that the battle for the world’s most powerful media empire has only just begun.
AFTER THE WAVE
Twenty years ago, the Boxing Day tsunami tore across the Indian Ocean, shredding towns, villages and holiday resorts, and killing hundreds of thousands of people from Indonesia to Africa. Three survivors share their memories of shock, terror and loss with The Weekly.
Escape to the country
Raised in New Zealand, design icon Collette Dinnigan opens the doors to her family homestead, where treasures from her travels rest side by side with the sights, sounds and style of her Australian life.
Ripe for the picking
Apricots are at their peak sweetness now, take inspiration from our savoury and sweet ideas.
Grill-licious
The backyard barbecue has come a long way from the days of chargrilling some snags. Try our fresh batch of recipe inspiration for your next cook-up.
Reclaim your brain
Perimenopause made me realise that our brains need looking after.
Long and the short of it
If youre considering a chop and change, this is how to nail a hair transformation.
Have we lost the art of conversation?
In a world of thumbs-up emojis and one-way voice memos, are we forgetting how to converse? The Weekly engages in an experiment in listening and genuine two-way chatting.
Farewell, 1936-2024 Maggie T
At Lhe Weekly Maggie labberer was and remains our guiding light the epitome of elegance with a whip-smart intellect, naughty sense of fun and innate kindness. She was a one-off.
MEL SCHILLING Cancer made me look at myself differently
One year on from going public with her bowel cancer diagnosis, Mel Schilling reveals where she's at with her health journey and how it's changed her irrevocably.