Against a backdrop of uncertainty for schools, colleges and theatres, this issue of Ink Pellet looks at how arts provision in schools can, and should, be incorporated across the curriculum. The Big Interview is with Paul Ainsworth, leading the Learning & Participation front at the Marlowe Theatre in Canterbury and we visit the RWCMD to discover a thriving arts centre in Cardiff. As working remotely becomes a reality for many, we feature the Bamboo Manager Project, offering distance learning for a stage management qualification, and suggest why all pupils should be exposed to the work of Beethoven, as we celebrate the 250th anniversary of his birth.

Ink Pellet is the only arts magazine for teachers. Published (since 1998) six times a year to coincide with the start of each new school term, Ink Pellet aims to keep English and Drama teachers updated on the latest news and views from the worlds of theatre, arts, dance and literature. Informative features assist in organising theatre and gallery trips, lesson planning, advice for school drama productions and for students looking to further their studies in the arts. 
Ink Pellet brings together interviews with the very best authors, producers, educators and performers, showcasing the most talked about exhibitions and includes theatre and book reviews, along with 'What's On' listings for auditions, courses, exhibitions, CPD, workshops and productions perfect for arts teachers and their students.

In this issue highlight the work of Oliver Gray, founder of the Illyria Theatre company, touring the UK once more this summer with four plays. Do try to get to one of the many outdoor performances near you. Also packed into this issue we look at the NT Connections festival taking place in the coming weeks, at the educational workshops from Wicked Learning, plus an insight into the courses available at the RCS in Glasgow.
Art galleries now offer many cross-curricular learning opportunities and we visit three to discover their educational offerings, plus take a coffee break with actor Rebecca 'Cranks' Crankshaw, plus the regular Book and Theatre reviews and a What's On listing for arts teachers.

With pressures on schools to offer creative outlets for students, it is vital that theatres and outside bodies continue to thrive. One such is the Chichester Festival Theatre, with its longstanding reputation for providing incredible opportunities for young performers and in this issue, our ‘Big Interview’ is with Justin Audibert, recently installed as the new Artistic Director and determined to continue this fine tradition.
Also in this issue, we chat to the team behind Wonder Fools, offering fantastic opportunities across Scotland and beyond for young people and communities to engage with and be empowered by the arts. Plus we met the driving force behind the Jack Studio theatre, a multi-award-winning venue, recently awarded ‘London Pub Theatre of the Year’ plus an Artistic Director Award in the Offies. 
We pay a visit to the highly ranked Guildhall School of Music and Drama to discover the broad range of options now offered across music, drama and production, providing lifelong learning and training for children, young people, adult learners, and creative and business professionals. A ‘cross-discipline’ approach to teaching the arts in schools is championed by Susan Elkin in this issue’s ‘Pause for Thought’ piece and we chat to young actor/singer Gil Sidaway as he embarks on his career.
With the summer term and exam season upon us, the end of the year is in sight, so remember to always look on the bright side of life…

At the heart of the performing arts is often the written word – be it an adapted novel or original play script – so it is imperative to encourage and develop a love of reading from an early age.  Building on this literacy theme, the YOTO Carnegies shortlist of children’s literature for 2024 has just been announced and there are opportunities for schools to get involved in the shadowing scheme. Applications will be open from 22 – 28 March with packs to be sent out immediately afterwards to the selected schools (see the news story in this issue’s Inbox for details).
The Big Interview in this issue is with prolific author Linda Newbery, giving us an insight into her writing process and we highlight the excellent work of Theatre Works!, ensuring more disadvantaged young people can get to experience live theatre, plus there is an inspiring interview with Zach Opere-Onguende, a young actor and facilitator with cerebral palsy, grateful for the support from Chickenshed.

Epitomizing the need to support the arts and encourage diversity, our Big Interview in this issue is with Poojah Ghai, Artistic Director of Tamasha Theatre Company, a fierce advocate for giving voice to marginalised groups and encouraging new talent. Plus, we had a Q&A with Philip J Morris, Director of the RSC’s First Encounters production of Romeo & Juliet, before it embarks on a UK tour this spring, along with Emily Grey, Chief Executive and Creative Director of British Youth Music Theatre about the organisation’s work and this year’s 20th anniversary, with big moves ahead. We also dropped into an Air Raid Shelter - an unusual resource at a primary school in Brighton, open to all school, along with theatre and book reviews and a 'What's On' listing for courses, workshops, exhibitions and productions perfect for arts teachers and their students.

In this issue we examine the need to diversify and expand the way drama is taught by introducing a wider range of texts into the curriculum. The same plays are being studied today as they were some 40+ years ago when I was at school… and that can’t be right! Society has evolved and we need to change teaching practice to reflect this. Fortunately, help is at hand. The Bloomsbury Lit in Colour campaign has compiled a list of plays written by writers of colour, which it is hoped will be incorporated into your English or drama lessons and more accurately reflect the lived experiences of your students.
Our Big Interview in this issue is with Darren Raymond, artistic director of the Intermission Youth Theatre group, who explains how he has adapted the most traditional of texts to make them accessible and relevant to young performers today. Inclusivity is also at the heart of everything Chickenshed does, and we found out how they are celebrating their 50th anniversary whilst continuing to ensure theatre changes lives.
The Theatre for Every Child campaign has been launched by the Society of London Theatre/UK Theatre, requesting that the UK government pledges a theatre trip for all children before they leave school.
With the 2023 Booker Prize winner soon to be announced, Susan Elkin puts forward a compelling case for you to incorporate the annual Booker short-list of titles into your classroom discussions and to encourage developing wider reading. Something for the Christmas list, perhaps?

A bumper issue for the start of the new school year. Following her dreams and a lifelong passion for music, Dr Hannah French is the subject for our Big Interview (p10) in this issue, as she tells us about her journey and overcoming hurdles along the way – an inspiration to all.
There was also much pride in evidence when we visited a school’s end of year performance of King Midas, led by the team at Bright Torches Theatre Company, integrating performance with a creative learning environment and providing a fitting climax for year six pupils.
We also turn the spotlight on the work of the NT Connections festival, firmly established as a platform for youth theatre and schools’ drama, providing thousands of young people with the opportunity to perform in local theatres or take on backstage roles. As The Woman in Black embarks on an extensive UK tour, we caught up with author Dame Susan Hill, to find out all about how she came up with the spooky story and what it’s like seeing your work told on stage.
Our Coffee Break chat is with acclaimed musical theatre performer Rebecca Thornhill, charting her career from am-dram to Gypsy.

The Big Interview in this issue is with crime thriller writer William Shaw, a master of convincing readers by creating real environments.
Encouraging reading for pleasure in your students is also the subject of the ‘Pause for Thought’ piece in this issue (page 23), intrinsic to a lifetime of discovery and learning, and finding the spark to ignite their reading curiosity is key. With the summer months ahead, and textbooks put away, let’s hope that reading for pleasure can be encouraged. For inspiration, read our interview with Rachael Rogan, founder of the BookTastic programme, passionate about instilling a love of reading in children from all backgrounds.
This issue also includes an in depth look at the RSC’s raft of resources and events to support teachers and students looking to study of The Empress, prior to the staging of the play in both Stratford-upon-Avon this summer and later in the year at the Lyric in Hammersmith.  Also on the syllabus, Blackeyed Theatre are staging a revival of Oh! What a Lovely War, with an extensive UK tour later this year to mark the 60th anniversary of the show’s premiere and we caught up with its director for an insight.

Developing a love of books and reading starts with picture books and so the role and importance of illustrators is intrinsic to this process, despite which illustrators are often given little recognition on book covers. Our Pause for Thought feature in this issue puts the case for equal recognition to be given to these skilled visual story tellers and we managed to grab a chat with illustrator Emily Snape, juggling her freelance work with family life, teaching and writing her own books.
We also managed to chat with the impressive Paterson Joseph, about his journey into acting, performing with the RSC and his new historical novel charting the life and achievements of Charles Ignatius Sancho, 18th century writer, composer and activist.
Our dip into college life took us on an extensive tour of Trinity Laban and the breadth of courses they offer in music, dance and musical theatre in the beautiful Old Naval College on the banks of the Thames at Greenwich.

As we approach International Women’s Day, I am delighted that this issue includes interviews with three inspiring women from across the industry. For the ’Big Interview’ in this issue, we managed to grab some time to chat with the formidable Josette Bushell-Mingo, Principal and CEO of The Royal Central School of Speech and Drama, two years into her tenure and determined to put students at the heart of all the college does. We also managed to meet playwright Tanika Gupta, to discuss her life and forthcoming play, The Empress, now on the GCSE syllabus, which is currently in production with the RSC. Plus we took time for a coffee with experienced director, and now author, Nancy Meckler to discuss her long-awaited first book Notes from a Rehearsal Room.
Our Exhibition review this issue took in two contrasting shows – Alice Neel’s retrospective and the more abstract Action Gesture Paint, offering students the opportunity to experience diverse approaches to the subject. Continuing the theme of observation, we dropped in on various workshop sessions at the recent National Theatre Drama Teacher Conference, attended by enthusiastic (of course!) drama teachers.

Our ‘Big Interview’ in this issue is with Gillian Du Charme, a former headteacher, education consultant and long-time advocate of arts teaching and we visit the Chichester Festival Youth Theatre, which continues to lead the way in offering an inclusive, diverse environment allowing young theatre makers to thrive.
Our Exhibition review this month looks at the work of photographer Chris Killip, who immersed himself in the communities he found fascinating, and we managed to grab a chat with Douglas Rintoul, Artistic Director at The New Wolsey Theatre in Ipswich, ahead of his production of DNA by Dennis Kelly, opening next month. Plus the latest arts education news, theatre and book reviews, so grab a cuppa and enjoy this latest issue…

In this issue we look at the National Youth Theatre Rep company, celebrating its tenth anniversary and a springboard for many now famous actors, and at the opportunities offered by various apprenticeship schemes, designed especially for those looking for a non-performing career in the arts. 
The Big Interview in this issue is with Chris Elwell, CEO of the vibrant Half Moon Theatre in London’s East End, specialising in work for and with young people. Our trip to an exhibition this issue takes in three Lucian Freud shows running concurrently in different venues across London, yet we still have time for a Coffee Break with Louisa Read, author of the YA verse novels Gloves Off, Wrecked and Activist.  There are Theatre and Book reviews and the Pause for Thought piece looks at the importance of school productions. Put the kettle on, have a cuppa and delve into this issue…

The inspiring interviews in this issue take in several different genres: an opera singer/composer, a playwright/author and an actor/producer, each proving that there are many different routes into the arts. We also feature the National Theatre’s Speak Up programme, being extended to more schools with the aim of giving students a voice to enable a positive change in their lives. 
We visit Upstairs at The Gatehouse theatre above a pub, which has been putting on  productions for 24 years - a perfect small venue to take your sixth formers to!
The exhibition review in this issue takes in the Cornelia Parker show at Tate Modern – one you definitely don’t want to miss – whilst our Pause for Thought provides an insight into the role of a critic.
Also includes arts news, book and theatre reviews.

This issue includes a lively mix of interviews & news - including our ‘Big Interview’ with the hugely successful producer Kenny Wax - responsible for such hits as SIX and The Play That Goes Wrong, plus interviews with educator David Passey and actor Beth Hinton-Lever.

The issue also includes various suggestions for school theatre trips, with linked education workshops, along with a teacher professional development opportunity from the from the RSC and an Acting Summer School from Drama Studio London.

I’ve recently been exhibiting at an education show and it was wonderful to be ‘out’ amongst like-minded souls, free of restrictions and masks after the past couple of years hibernating. Despite all that is going on elsewhere in the world, there was definitely an uplifting feeling at the event and I realised how much I’d missed interacting with real humans and seeing smiles! For those in education and the performing arts world, it is this positive human reaction that drives you to inspire and perform, bringing joy and an escape from reality, or perhaps to challenge and provoke thought.

The ‘Big Interview’ in this issue is with the talented and determined Dame Floella Benjamin, who recounts her journey from Trinidad to the House of Lords and is currently looking forward to the opening of Coming to England, a musical adaptation of her Windrush inspired 1995 book.

Determined to extend training opportunities around the UK, we pay a visit to The Bamboo House, Fourth Monkey’s new regional training centre in Bristol and chat to Musical Theatre International about the introduction of a new app set to revolutionise your rehearsal process.

We catch up with Evan Placey, taking his Jekyll & Hyde to more than ten thousand pupils for the NT spring schools tour and grabbed a coffee with Toby Olié, whose latest incredible puppetry creations will be starring in the latest UK tour of Animal Farm.

Plus we have a thought provoking ‘Pause for Thought’ on To Kill A Mockingbird from Susan Elkin, along with a selection of Book and Theatre reviews.

This issue includes our ‘Big Interview’ with the wonderful, multi-talented Isobel McArthur, who wrote, appears in and co-directs Pride and Prejudice* (*sort of), enjoying five-star reviews at the Criterion. Hurry, the run ends soon!
We delve into the life and work of actor/writer Mark Farrelly, touring this year with four different shows, plus we stopped off for a ‘Coffee Break’ with another young actor/writer, Isabel Adamakoh Young, who we are sure you will be seeing much more of!
Graham Hooper, our regular exhibition correspondent, sets out a dozen shows around the country this year you will want to get in your diaries to organise trips with (or without!) your cohort.
We also pay a visit to the Sylvia Young Theatre School to discover how it has adapted over the forty years since its inception and continues to produce rounded individuals for both the performing arts and life.
There's news from Shakespeare's Globe, National Youth Theatre & more, along with book and theatre reviews.

The 'Big Interview' in this issue is with panto-stalwart Peter Duncan, now writing, performing and broadcasting his own home-based family panto – born out of the necessity to improvise during last year’s enforced lockdown.
Emerging from the pandemic, creatives, theatres and drama schools have all had to adapt and adopt new methods of practice. This has given many the opportunity to “reset” and re-evaluate how they operate. Drama schools have had to introduce online auditioning and many are adapting their training to cater for both industry requirements and the aspirations of their students. Although many are looking for a fast-track into television roles, the traditional transferable skills developed at drama school are invaluable and the ‘traditional’ methods should not be overlooked.
Alongside any evolving of the training, performing arts schools are also recognising the need to become more representative and diverse, which should open the doors to a wider cohort of aspiring performers. One such progressive school, Bird College, is the focus of our feature in this issue, celebrating its 75th anniversary this year, having come a long way from its original role as a dance school.
Also in this issue we take a look at how Little Angel Theatre is embracing new digital technology, whilst remaining focussed on its core of creating theatre for children using puppetry. And on a puppet theme, check out our interview with Blackeyed Theatre and their use of a huge puppet as the Creature in their forthcoming revival of Frankenstein!

In this issue... the Big Interview is with author and journalist Ellen Alpsten to discuss her life’s journey and inspiration for the Tsarina trilogy, we chat with engaging young actor Jimand Allotey and her route into the profession, discover what makes Showstop Theatre School unique and take a coffee break with theatre publicist Kevin Wilson. The Exhibition review takes in the Tokyo show at the Ashmolean in Oxford, plus there are Book and Theatre Reviews for you to digest.

Focusing on various further education opportunities in this issue, we examine the apprenticeships scheme offered by the Royal Opera House, providing training for young people in a wide range of behind the scenes functions – not to be ignored from careers advice at school - and look at the performing arts training offered by the Manchester School of Theatre and the new initiative from Fourth Monkey, setting up camp in Bristol. 
The Big Interview in this issue is with the prolific writer Julia Donaldson, now also offering online courses for budding children’s picture book writers through the BBC Maestro series, and our exhibition preview takes in the Dubuffet retrospective at the Barbican.
Until our next issue in September, an inspirational quote from a Zen proverb, apt for the times we are in: “Just when the caterpillar thought the world was over, it became a butterfly.”

Spring always seems to bring new hope, with plants springing to life after their winter hibernation and this year, perhaps more than most, this new hope seems to be more pertinent to all of us. On my daily dog walk, I have been watching as the bluebells miraculously start to emerge and their scent now fills the air once again… so I know spring is really here! Having endured a challenging year, let us hope that this spring there truly is a new start and life can return to a semblance of ‘normal’.
Whilst students have returned to school and you are managing bubbles, it may yet be a while before school theatre trips can fully resume, but there are an increasing number of online resources and productions to help you ensure your cohort can still enjoy the delights of live performance to enhance their studies and inspire their thoughts. 
Perhaps one of the positives to be taken from the past year is how theatre creatives have been devising new formats and online resources for you to embrace these opportunities; such as the multiverse adventure-style gameplay adaptation of Romeo & Juliet from Creation Theatre (page 16), which allows audience members to choose alternative outcomes and interact live with the  characters.
Proving that the online world can open up new opportunities, we take a look at the ‘lockdown’ work from Graeae (page 13) and their latest series of online duologue plays, Crips without Constraints 2, pairing a disabled actor with the likes of Harriet Walter. As an antithesis to the online world, our Big Interview in this issue is with puppeteer Ronnie le Drew, still performing in his 70s, demonstrating that there are many ways to tell a story (page 8).
Theatres are scheduling productions, drama schools conducting their auditions (online)… signs that we are emerging from hibernation
and normality WILL resume!

Our Big Interview in this issue is with director and actor Matthew Parker, who himself has had to make some late changes to his schedule, but who will hopefully be treading the boards at The Maltings this December. We also chatted to Fourth Monkey’s Director of Training, Charlene Qwaye, to learn how this innovative school is evolving and gleaned some useful tips for online auditionees from the directors at ArtsEd.  For budding writers, check out the recent opportunity being offered by HighTide on page 23.  With most galleries currently closed, we have compiled a great guide to many of the online exhibitions that are ‘open’ to visitors. 

I am surely not alone in wondering why it has been possible to go to the cinema or sit in a plane next to strangers for several hours, yet theatres have remained dark? Are theatres really that dangerous? Unfortunately, easing of restrictions has come too late to salvage most of the traditional Christmas shows and pantos on which regional theatres rely, but of course, if nothing else, the arts world is full of creative people. It is heartening to see how inventive producers have been, to adapt and utilise new technologies to keep producing ‘live’ performances. We round up several of these in this issue, offering you the opportunity to take in everything from school plays to Shakespeare, either at home or in the classroom, and hope you may be able to donate or subscribe to assist struggling artists.
Our Big Interview in this issue is with Alexia Khadime, who should have been staring in The Prince of Egypt, but who has spent ‘lockdown’ performing online to support those less fortunate in the theatre industry. Read her story from page 6 and in other features this issue, discover how colleges, schools and producers are making use of new learnt skills to get us through this. After all… the shows MUST go on!

Starting the new decade, this issue includes the 'Big Interview' with best-selling crime writer Domenica de Rosa (Elly Griffiths), plus we examine a number of the apprenticeship schemes in the creative industries and hope you will recommend this option as a viable route into the profession to your cohort. For those looking to perform, we investigate the array of stage schools nurturing young talent in the UK and highlight the excellent work of British Youth Music Theatre, which annually searches out and encourages hundreds of young performers around the country – make sure to apply for their upcoming audition programme! There’s an interesting ‘success story’ about one previous BYMT alum on page 16 too! Also in this issue, we share a coffee and a chat with writer Piers Torbay, following the recent success of his adaptation of 'A Christmas Carol', feature the training and tuition offered by the Royal Birmingham Conservatoire and guide you through the relaunched drama syllabuses from Trinity College, whilst Graham Hooper marks your card for many of the exciting exhibitions to look out for this coming year.

In this issue we interview Paul Fincham, composer of the carol 'Ring The Bells', enjoying a change of career and with Lou Stein at Chickenshed on how theatre can change lives, ahead of their Christmas production of 'Snow White'. Susan Elkin gives some pointers on what makes for a successful panto and offers advice for those considering a move to a drama school in this issue’s Pause for Thought. Adding to it’s growing reputation and syllabus, we take a look at East 15’s new BA in Physical Theatre and at the fantastic work Theatre Peckham is doing in its community, whilst our Exhibition review takes in the contrasting shows of Lucian Freud and Bridget Riley.

Ink Pellet remains the only magazine for teachers covering all of the arts – performance, written and visual – and in this issue you’ll find features across the arts spectrum; including interviews with the enigmatic West End Producer, with the new Children’s Laureate Cressida Cowell and the National Youth Theatre’s CEO Paul Roseby, along with an insight into the training offered at the Royal Central School of Speech & Drama and of the new LAMDA syllabi. 
Also in this issue, we take a look at the fabulous educational benefits offered by Disney’s The Lion King – celebrating its 20th anniversary in London and embarking on a UK tour – and those offered by film, through the Into Film festival this autumn. Incorporating science with visual art, our exhibition review covers two exciting shows currently at Tate Modern.

The Big Interview in this issue is with story teller, director and DJ Matthew Xia, who is determined to promote minority groups as theatre leaders, makers and consumers and to break down barriers to inclusion, plus we dropped in for a coffee with Steve Green of the progressive Fourth Monkey Actor Training Company.
We take a closer look at Bath Spa University, aiming to be a leading educational institution in creativity, culture and enterprise, with an emphasis on bringing enterprise and creativity together across all its courses. For those students looking to pursue a career ‘behind the scenes’, we’ve got some invaluable advice on the technical theatre courses available, whilst Susan Elkin provides additional salient advice on choosing the right training course or drama school in this month’s ‘Pause for Thought’ piece.
Travelling across the Channel, our Exhibition review this issue looks at the Museum Voorlinden, a Dutch private gallery of modern and contemporary art… just in case you happen to be passing in the coming months!

The latest issue includes the Big Interview with celebrated playwright Roy Williams and we drop in for a coffee with the immensely talented Katy Richardson, musical director with the wonderful production Six, now playing in the West End. Our third interview in this issue is with the acclaimed musician, television personality and supporter of emerging artists, YolanDa Brown.
In our tour around the country’s specialist performing arts schools, this month we visit Drama Studio London, offering demanding conservatoire-style training, delivered by working industry professionals and in this issue’s Pause For Thought, Susan Elkin asks you to consider the importance of casting on ability and not to fulfil a quota.
Graham Hooper, our regular Exhibition writer, poses the question on what makes art galleries appealing and how can we encourage younger visitors to these wonderful calming and inspiring spaces.
As we head into exam season, here’s a quote for your students, attributed to Audrey Hepburn: “Nothing is impossible, the word itself says 'I'm possible'!”

The Big Interview in this issue is with Daniel Evans, award-winning actor now artistic director at Chichester Festival Theatre, and we drop in for a coffee and chat with Dr James Lovelock, course leader at the University of Wolverhampton.
Inspiring your students to take the next step may include taking a Foundation Course and we look at some of the options available (p10), plus we feature the ground-breaking scientific study of dance at Trinity Laban (p14). Do also read about the dynamic Sarah Pavlovs of Starbuck Theatre (p12), as she juggles life as an actor and running a youth theatre, inspiring others!
Our exhibition preview this issue is a look at the ‘Life in Drawing’ of Leonardo ds Vinci, as his works in the Royal Collection are displayed around the country (p20) and the ‘Pause for Thought’ piece (p18) promotes you to practice what you teach, as further inspiration to your cohort!
As ever, we welcome your views and suggestions.

Ensuring arts education is maintained has been shown to have positive effects on learning across the curriculum and in this issue we look at the work of the Lyric Hammersmith (p15), providing additional arts opportunities for young people, already proving to have a positive effect on their general education and attainment, whilst Susan Elkin puts the case for Christian education to be incorporated across the curriculum to ensure context in both the arts and literature (p22).
The Big Interview in this issue is with theatre pioneers Tim & Max, founders of Oily Cart, as they move on to new ventures (p6) and we chat to Amy Leach, associate director at Leeds Playhouse about her upcoming female-led production of Hamlet. 
The Birmingham Royal Ballet are taking Beauty and the Beast on tour, with a couple of special relaxed performances for younger audiences and we look at the outstanding achievements of TheMTA at finding work in the performing arts sector for its graduates.

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Ink Pellet - the arts magazine for teachers. Published (since 1998) six times a year to coincide with the start of each new school term, Ink Pellet aims to keep English and Drama teachers updated on the latest news and views from the worlds of theatre, arts, dance and literature. Informative features assist in organising theatre and gallery trips, lesson planning, advice for school drama productions and for students looking to further their studies in the arts. Ink Pellet brings together interviews with the very best authors, producers, performers and educators, showcasing the most talked about exhibitions and includes a comprehensive What’s On section, plus theatre and book reviews, written by our growing band of teacher-reviewers.

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11. サービスおよびすべての出版物は、「現状のまま」および「入手可能な状態」で提供されます。 MAGZTER、その関連会社、サプライヤー、ライセンサーおよび代理店は、明示的か黙示的かを問わず、商品性、特定目的への適合性、および権利侵害の非侵害に関する黙示的な保証を含むがこれらに限定されない、あらゆる種類の保証を明示的に否認します。上記を制限することなく、MAGZTER もその関連会社、サプライヤー、ライセンサー、代理店も、(I) サービスがお客様の要件を満たすこと、(II) サービスが中断されず、タイムリーに、安全に、またはエラーが発生しないことを保証しません。 III) サービスの使用から得られる情報、または出版物に含まれる情報が正確または信頼できるものである、または (IV) 出版物またはサービスの品質がお客様の期待に応えるものであること。信頼できるインターネット接続とデバイスの取得と維持については、お客様が単独で責任を負います。 MAGZTER は、お客様がコンテンツをダウンロードできないことについては責任を負いません。ダウンロードまたはサービスの使用を通じて取得したマテリアルは、お客様自身の裁量とリスクで行われ、かかるマテリアルのダウンロードに起因するコンピューター システムまたはモバイル デバイスへの損害またはデータの損失については、お客様が単独で責任を負うものとします。口頭か書面かを問わず、お客様が magzter から、またはサービスを通じて、またはサービスから得たアドバイスや情報は、いかなる保証も生じません。

2.お客様は、その情報を真実、正確、最新かつ完全なものに保つために維持し、速やかに更新するものとします。あなたは、自分のアカウントとパスワードの機密性を維持し、自分のコンピュータへのアクセスを制限する責任を負い、すべてのコンテンツとサービスの選択と使用を含む、自分のアカウントで行われるすべての活動に対する責任を受け入れることに同意します。

3. いかなる場合においても、Magzter.com、ウェブサイトおよびアプリケーション上のコンテンツの作成、制作、配布に関与する個人、団体、第三者は、契約上または法的責任を負いません。 Magzter.com の使用中または使用中にお客様に発生した直接的、間接的、付随的、特別、および結果的。 Web サイトに登録するか、アプリケーションをダウンロードすることにより、このセクションに記載されている規定が Web サイトおよびアプリケーションのすべての使用およびコンテンツに適用されることに同意するものとします。

3. Magzter からの事前の書面または許可がない限り、ここに公開されているものはすべて Magzter またはそのライセンサーの専有財産であるため、Magzter から取得したコンテンツを変更、コピー、配布、販売してはなりません。このような不正使用は、著作権法や商標法を含む適用法に違反する可能性があるため、Magzter はこれらを厳しく禁止し、そのような違法行為が証明または検出された場合は、アクセスとアカウントを停止します。また、これらの不正行為によって生じた損害についても責任を負う必要があります。出版物の法的所有者が許可する場合を除き、お客様は、サービスを通じてアクセスした出版物をダウンロードすることによって所有権を取得しないことを承認するものとします。著作権法で明示的に要求されている場合、またはサービスの機能によって許可されている場合を除き、変更、リバース エンジニアリング、公開、送信、表示、譲渡または販売への参加、派生作品の作成、またはいかなる形であっても商業的に利用または提供することはできません。 Magzter およびかかるコンテンツの所有者の明示的な許可なしに、アプリのコンテンツ、出版物、またはそれらの一部を第三者に提供すること。当社は、明示的か黙示的かを問わず、Magzter または Magzter のライセンサーの知的財産に対するライセンスを付与しません。

5. あなたは、Magzter.com が他のユーザーや第三者、またはそのコンテンツのいかなる種類の中傷的、攻撃的、または違法な行為に対して責任を負わないこと、および前述の行為による傷害のリスクは完全にあなたにあることを特に認めます。

8. Magzter は、お客様が本利用規約および Magzter が定めるその他の運用規則に準拠しているかどうかを判断する目的で、お客様が公開および入力したコンテンツを監視するすべての権利を留保します。 Magzter は、コンテンツについて決定を下し、独自の意志で削除する権利を有します。

9. Magzter は出版物の販売代理店であり発行者ではないため、Magzter は雑誌に掲載されている意見、アドバイス、声明、サービス、オファーなどを含むコンテンツに対する編集管理を行いません。したがって、Magzter は、そこで提供される情報や事実、または公式の資格に従って行動する Magzter の認定従業員以外の者がサービスを通じて利用できる情報や事実の正確性や信頼性について責任を負いません。したがって、当社には出版物に対する編集上の管理権がありません。本サービスが提供する出版物で行われた意見、アドバイス、声明、サービス、オファー、または第三者によって表明または利用可能にされたその他の情報またはコンテンツは、それぞれの著者または出版社のものであり、第三者のものではありません。マグザー。 Magzter は、サービスを通じてまたは出版物から得た情報への信頼によって生じた損失または損害に対して責任を負いません。本サービスには、他のインターネット サイトおよびサードパーティのリソースへのリンクが含まれている場合がありますが、Magzter は、そのようなリンクされたサイトで利用可能な通信またはマテリアルについては一切の責任を負いません。これらのリンクは便宜のためにのみ提供されています。サードパーティのサイトにアクセスしたり、サードパーティのサイトを通じて注文したりするときに適用される利用規約を理解するのは、お客様自身の責任です。

不快なコンテンツの詳細（プラットフォーム上のリンクを含む）

お気に入りの作品をダウンロードすれば、いつでもどこでもオフラインで読むことができます

愛する人に Magzter ギフト カードをすぐに贈り、何千ものベストセラー タイトルの中からお気に入りの雑誌や新聞を自由に読めるようにしましょう。

Gift your loved ones with a Magzter Gift Card instantly and give them the freedom to read their favorite magazines from thousands of best-selling titles.

{{magCount}}冊の人気のインターナショナル雑誌からお気に入りの雑誌を自由に選べるMagzterギフトカードを、大切な人に今すぐ贈りましょう。

Girish Ramdas は、世界的なデジタル出版ビジネスで話題を呼んでいる、ニューヨークを拠点とする新興企業 Magzter の共同創設者兼 CEO です。 Magzter は 2011 年のサービス開始以来、150 か国以上から 9,000 万人のユーザーを獲得しており、世界中の 4,500 以上の出版社から数千冊の雑誌、新聞、書籍が提供されています。彼は、印刷物、モバイル、Web 開発を含むクロスプラットフォーム出版において 25 年以上の経験があります。この期間中、彼は 3 つの新興企業を共同設立し、経営して成功を収めてきました。彼は雑誌社のデジタル化を可能にし、デジタル世界でコンテンツの収益化を支援してきました。ギリッシュは、オンライン、モバイル、出版エコシステムにおける深い業界経験により、世界中のプラットフォームにわたるデジタル コンテンツの取得、マーケティング、収益化の専門家となっています。

当社のプラットフォーム上で不快なコンテンツに遭遇した場合、当社はお客様の懸念に対処するために苦情救済ポリシーを導入しました。

Magzter Inc. (「当社」、「当社」、「当社」) は、お客様がご自身の個人情報がどのように使用および共有されるかについて関心を持っていることを承知しています。当社のプライバシー慣行の詳細については、次のプライバシー ポリシー(「ポリシー」) をお読みください。当社が運営するウェブサイトおよびそのサブドメインのいずれかにアクセスするか、当社のモバイル アプリケーションやその他のコンテンツ配信方法(総称して「サービス」) を使用することにより、概要が説明されている慣行およびポリシーに同意したことになります。本ポリシーに記載されており、お客様は、当社がお客様の情報を以下の方法で収集、使用、共有することに同意するものとします。

Magzter Inc. は、世界最大かつ急速に成長しているセルフサービスのクロスプラットフォーム デジタル ニューススタンドで、2011 年の創業以来 9,000 万人を超えるユーザーがおり、40 以上のカテゴリ、60 以上の言語にわたる数千の雑誌や新聞を扱っています。ニューヨークに本社を置く Magzter は、アムステルダム、ロンドン、メキシコシティ、チェンナイ、ムンバイ、ニューデリー、バンガロール、シンガポールに現地拠点を置いており、間もなく他の国にも拡大する予定です。 2011 年 6 月に世界的起業家であるギリッシュ ラムダス氏とビジェイ ラダクリシュナン氏によって設立された Magzter は、世界中の雑誌や新聞の出版社が自社のタイトルのデジタル版を作成し、世界中の消費者に配信できるようにします。

Magzter は、ユーザーに安全なプラットフォームを提供することに尽力しています。 Magzter は、パブリッシャーがコンテンツを配布するためのプラットフォームにすぎないことに注意してください。当社は、当社のプラットフォームで公開されるコンテンツを管理または推奨しません。当社は、発行者の行動またはそのコンテンツに対して責任を負いません。

Magzter は、コンテンツまたはコンテンツの一部が権利を侵害したために損害を被った、または費用が発生した当事者を補償する責任を負いません。 Magzter は、第三者の権利を侵害するコンテンツまたはコンテンツの一部に起因する権利侵害について、民事裁判所で法的措置を講じる責任を負いません。

Magzter は、Magzter GOLD と呼ばれる世界最大の「読み放題」サブスクリプション サービスを提供しています。これにより、デジタル読者は月額サブスクリプション料金で 9,000 以上の雑誌や新聞に無制限にアクセスできます。 Magzter はまた、アプリ向けの革新的な ezRead 2.0 機能により、世界最大の記事数を誇ります。これにより、スマートフォンや小さな画面のモバイル ユーザーは、本来の楽しみ方で雑誌コンテンツを楽しむことができます。読みやすく、素晴らしいビデオと高解像度の写真が付いています。

名前

Magzterでのコンテンツ発行に関するサポートが必要は場合は、このフォームに記入してください

 Magzter に入社する前は、Dot Com Infoway (DCI) および Galatta Media の社長を務めていました。彼の任務には、戦略的マーケティング、パートナーシップ開発、コンテンツの世界的な収益化が含まれていました。 DCI は、2000 年には 3 人だった小さなチームから、2011 年には 300 人にまで成長し、世界中のクライアント向けに Web、ソフトウェア、アプリの開発を手がけていました。

Magzterの開始以来、お客様に最高のニューススタンドテクノロジーとサービスを提供するため、世界各国の組織や機関と提携することに尽力してきました。雑誌の購読を顧客に提供したい場合や単に詳細に興味がある場合など、お気軽にお問い合わせください。Magzterはお客様のビジネスの成長を支援いたします。お問い合わせ内容について、以下の質問票にご記入ください：

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 DMCA では、元の DMCA 通知を提出した当事者が反対通知のコピーを受け取ってから 10 営業日以内にお客様に対して訴訟を起こさない場合、当社は削除されたコンテンツを復元することができます。

このポリシーは、お客様がサービスにアクセスする際に当社が収集する、個人を特定できる情報(「個人情報」) およびお客様およびお客様のコンピューターまたはデバイスに関するその他の情報の当社の取り扱いを対象としています。以下で詳しく説明するように、当社はお客様から個人情報を収集することがあります。当社はこの個人情報を、当社の製品、サービス、コンテンツ、広告をパーソナライズ、提供、改善するため、またお客様がユーザー アカウントとプロフィールを設定し、お客様に連絡し、特定の製品やサービスに対するお客様のリクエストを満たし、お客様によるサービスの使用状況を分析するため。場合によっては、当社は一部の個人情報を第三者と共有する場合もありますが、これはポイント 4 に記載されているとおりに限られます。

このタイトルは Magzter GOLD サブスクリプションに含まれています

コンテンツの品質を分析し、パブリッシャーに適切なフィードバックを提供するため

当社では、不快なコンテンツに関するあらゆる苦情に対応する苦情担当者を任命しています。

不快なコンテンツに関する苦情は、上記の電子メール アドレスに電子メールで苦情担当者に送信するようお願いします。また、苦情を申し立てる際には、以下の詳細を提供するようお願いします。

さまざまな雑誌、書籍、ニュース、雑誌および出版物関連コンテンツ (総称して「出版物」と呼ばれます) を注文、購読、配信を受け取り、これらの出版物のデジタル版を配信する機能を提供するアプリ

c.また、パーソナライズされた推奨事項を作成するために、アプリケーションの使用に関連する情報も収集します。お客様がサードパーティのアカウント資格情報を当社に提供した場合、お客様がそのような送信を許可した場合、それらのアカウント内の一部のコンテンツおよび / または情報(以下「サードパーティのアカウント情報」) がお客様のアカウントに送信される可能性があること、およびそのサードパーティのアカウントが当社のアカウントに送信される可能性があることを理解したものとします。サービスに送信される情報は、本ポリシーの対象となります。

 f.当社が収集する個人情報により、当社はお客様のリクエストに対応し、当社の製品とサービスを改善し、お客様に表示される広告とコンテンツをカスタマイズし、新製品についてお客様に連絡することができます。

は、2011 年の設立以来 9,000 万人を超えるユーザーがおり、40 以上のカテゴリと 60 以上の言語にわたる数千の雑誌や新聞を擁する、世界最大かつ急速に成長しているセルフサービスのクロスプラットフォーム デジタル ニューススタンドです。ニューヨークに本社を置く Magzter は、アムステルダム、ロンドン、メキシコシティ、チェンナイ、ムンバイ、ニューデリー、バンガロール、シンガポールに現地拠点を置いており、間もなく他の国にも拡大する予定です。 2011 年 6 月に世界的起業家であるギリッシュ ラムダス氏とビジェイ ラダクリシュナン氏によって設立された Magzter は、世界中の雑誌や新聞の出版社が自社のタイトルのデジタル版を作成し、世界中の消費者に配信できるようにします。

 n.また、ユーザーが当社の利用規約を遵守していることを確認するために、使用状況情報も使用されます。たとえば、ユーザーの使用状況情報は、ユーザーが雑誌やその他のコンテンツを許可された回数、または許可された数のデバイスにのみダウンロードしていることを確認するのに役立ちます。

これにより、デジタル読者は月額購読料で 9,000 以上の雑誌や新聞に無制限にアクセスできるようになります。 Magzter はまた、アプリ向けの革新的な ezRead 2.0 機能により、世界最大の記事数を誇ります。これにより、スマートフォンや小さな画面のモバイル ユーザーは、本来の楽しみ方で雑誌コンテンツを楽しむことができます。読みやすく、素晴らしいビデオと高解像度の写真が付いています。

Ink Pellet - March 2020 IP132

Ink Pellet - March 2020 IP132

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