The New Yorker - November 25, 2024

この問題で

Jury selection comes under scrutiny in a death-penalty case.

FX’s “Say Nothing,” a new drama about the Troubles.

“Give Me Carmelita Tropicana!” and “Gatz.”

A LONG WAY HOME

Ordinarily, I hate staying at someone's house, but when Hugh and I visited his friend Mary in Maine we had no other choice.

10+ mins

HOLD YOUR TONGUE

Can the world's most populous country protect its languages?

10+ mins

THIS ELECTION JUST PROVES WHAT I ALREADY BELIEVED

I hate to say I told you so, but here we are. Kamala Harris’s loss will go down in history as a catastrophe that could have easily been avoided if more people had thought whatever I happen to think.

2 mins

THE BIG SPIN

A district attorney's office investigates how its prosecutors picked death-penalty juries.

10+ mins

METAMORPHOSIS

The director Marielle Heller explores the feral side of child rearing.

10+ mins

GET IT TOGETHER

In the beginning was the mob, and the mob was bad. In Gibbon’s 1776 “Decline and Fall of the Roman Empire,” the Roman mob makes regular appearances, usually at the instigation of a demagogue, loudly demanding to be placated with free food and entertainment (“bread and circuses”), and, though they don’t get to rule, they sometimes get to choose who will.

10+ mins

GAINING CONTROL

The frenemies who fought to bring contraception to this country.

10+ mins

REBELS WITH A CAUSE

In the new FX/Hulu series “Say Nothing,” life as an armed revolutionary during the Troubles has—at least at first—an air of glamour.

5 mins

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