His grandfather grew barley and his father had sheep and some cows as well as several acres of pine trees used for landscaping. Sievers helped his grandfather with irrigation and hauling grain from the silo and helped his father by digging out trees with a shovel when one of them sold.
Family Pride is a classic red barn standing proud in a field despite its being a little the worse for wear. “I love bringing emotions and memories into my paintings,” he says. “I wanted this piece to show the feelings of pride in hard work and the connection I feel to these old reminders of our past. There are lots of barns around here, some of them kind of falling apart. The cool thing about barns is that they’re a testament to hard work. They’re grandpa’s legacy and no one wants to tear them down. Everyone knows whose barn it is and the guy who worked it. They’re little monuments. I love painting them because I get a sense of that.
この記事は American Art Collector の May 2020 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
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この記事は American Art Collector の May 2020 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
すでに購読者です? サインイン
FULL EXPOSURE
Photographer Conor Martin documents the present using photographic methods of the past.
Autumnal Light
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An Enchanting Evening
Scottsdale Artists’ School knows how to throw an art party.
Timeless Tales
Soft, warm undertones underscore the mood of enchantment that runs through Nom Kinnear King’s paintings.
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Coming off his series that focused on San Francisco and Los Angeles freeway signs, artist Eric Nash’s sights are now set on New York. Now on view at George Billis Gallery's Manhattan location are seven of Nash's new oil paintings and two drawings that explore the signage of New York City freeways. Although Nash's work is tightly rendered, he doesn’t consider himself a photorealist, but rather someone who utilizes those techniques to express ideas.
Monster Mash
Vampires, witches, ghouls and all things that go bump in the night are the theme of the exhibition Monster Mash, now at Abend Gallery.
Inside/Outside
Those familiar with Geoffrey Johnson's populated by inky figures and trailing shadows that bleed into the wet streets, and architectural elements obscured to varying degrees by the misty atmosphere.
Bold Figures; Bold Color
For Brooklyn based painter J Louis, it’s all about balance, which can mean many different things in a composition, but for Louis, it’s about balancing his female figures among a unique landscape of color.
