An Actor Prepares
Art India|November 2021
Naveen Kishore. Performing the Goddess. Digital print on archival paper. 20" x 30". Edition 2 of 5. 1999. Image courtesy of the artist and Chatterjee & Lal.
Neha Mitra
An Actor Prepares

Naveen Kishore's solo shows The Green Room at Mumbai's Chatterjee & Lal goes behind the scenes and gets under the skin of a performance to explore the negotiations between mortality and divinity, gender and its fluidity, a man and his goddess.

Shot mostly on analogue Nikon cameras, the show, mounted from the gth of July to the 29th of August, comprises two series of photographs - Performing the Goddess and The Green Room of the Goddess. The film Performing the Goddess captures the journey of an actor assuming a role that will mark his life and transform it.

Renowned as the initiator of Seagull Books, Kishore started to work on theatre productions in the early 1970s and has since made this the stage for his photography. He has documented female impersonators from Manipur, Bengal and Punjab and his interest in street photography has expanded his oeuvre.

この記事は Art India の November 2021 版に掲載されています。

7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。

この記事は Art India の November 2021 版に掲載されています。

7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。

ART INDIAのその他の記事すべて表示
Parts, Wholes And The Spaces In Between
Art India

Parts, Wholes And The Spaces In Between

Sonal Sundararajan introduces Samira Rathod's free-spirited and rebellious explorations in the world of architecture, furniture and design.

time-read
6 分  |
April 2023
"The Fine Art of Going to the Pictures."
Art India

"The Fine Art of Going to the Pictures."

Dr. Banerjee in Dr. Kulkarni's Nursing Home at Chemould Prescott Road brings together 26 paintings featuring a series of dramatic scenes from Hindi and Bengali films. In conversation with Abhay Sardesai, artist Atul Dodiya talks about childhood trips to movie halls, painted figures gripped by tension, and the closeness and remoteness of cinematic images.

time-read
10 分  |
April 2023
"To Finally Have Something of Your Own to Mine."
Art India

"To Finally Have Something of Your Own to Mine."

Dayanita Singh is the recipient of the coveted 2022 Hasselblad Award. Keeping the photograph at the centre, she speaks to Shreevatsa Nevatia about books, book objects, photo novels, exhibitions and museums.

time-read
6 分  |
April 2023
OF DIVINE LOSS
Art India

OF DIVINE LOSS

Shaurya Kumar explores the relationship between the subject and object of devotion, finds Aranya.

time-read
3 分  |
April 2023
THE PAST AND ITS SHADOWS
Art India

THE PAST AND ITS SHADOWS

Neha Mitra visits two shows and three artists in Mumbai.

time-read
3 分  |
April 2023
FORCE OF NATURE
Art India

FORCE OF NATURE

Alwar Balasubramaniam dwells on absences and ephemeralities in his new work, states Meera Menezes.

time-read
3 分  |
April 2023
SHAPES OF WATER
Art India

SHAPES OF WATER

Devika Sundar's works delineate the murky, malleable boundaries between the human body and the organic world, says Joshua Muyiwa.

time-read
3 分  |
April 2023
INTIMATIONS OF INTIMACY
Art India

INTIMATIONS OF INTIMACY

Sunil Gupta shares his journey with Gautami Reddy.

time-read
5 分  |
April 2023
THE FRACTURED PROSPECT
Art India

THE FRACTURED PROSPECT

Nocturnal landscapes as ruins in the making? Adwait Singh looks at Biraaj Dodiya's scenes of loss.

time-read
5 分  |
April 2023
TEETERING BEYOND OUR GRASP
Art India

TEETERING BEYOND OUR GRASP

Meera Menezes traces Mahesh Baliga's journey from Moodabidri to London.

time-read
5 分  |
April 2023