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Anatomy Of A Painting

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January 2017, n192

Todd Schorr’s Liquid Universe.

- Gregg Gibbs

Anatomy Of A Painting

THERE IS PERHAPS NO ARTIST WHO CAN create a mind-blowing, expansive landscape filled with a myriad of comical characters better than Todd Schorr. His ever-expanding menagerie of eyepopping creations and his meticulous technique make him a true, original master of the lowbrow art movement. He recently completed a new masterpiece titled Liquid Universe, commissioned by Nike executive Sandy Bodecker. I got the inside scoop on Schorr’s unique process behind this seven-by-nine-foot painting, along with a detailed diagram of his densely-packed composition.

Gregg Gibbs: The theme of the painting is childhood imagination. What was the genesis of this idea for executing a major work, and how did you approach the theme?

Todd Schorr: Initially, Sandy approached me with his idea for a painting that would use childhood wonder as its theme. He wanted the painting to serve as a point of inspiration for the design studio/think tank he was developing in Portland. He feels that experimentation and imagination, when nurtured and encouraged as a young child, will help to set a course for further evolution as an adult. How to develop this idea into a painting was left up to me. I began by giving Sandy a written description of the scenario that I envisioned, the Liquid Universe idea. I wanted to incorporate various images into the painting from subjects like history, art, literature, science, music, and humor that I felt were important to a developing imagination.

I understand that you started with concept drawings, through the layout designs, moving onto a color study, and finally, completion of the finished painting. Can you explain the process and how long it took to complete?

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