How Authors, Agents, Editors, Booksellers, and Publicists work together to reach readers.
It is often said that book publishing is a business of relationships. Behind every successful title there is a small crowd of people who, over the course of many months and even years, worked together— via e-mail and in person, on the phone and over lunch—to turn an idea into a vision, edits into finished pages, a manuscript into a book. A work of art conceived and created in solitude is carried forth by a team, passing through many hands before it reaches the marketplace.
I asked five debut authors to describe their first steps toward establishing the initial relationship, the one that starts the whole process rolling: finding an agent. I then asked those five agents to explain how the relationships with their clients grew and how they introduced their clients to the ideal editors who would shepherd their books into print. Next, I contacted those editors and invited them to walk us through the acquisition and editorial process that turns the raw material into finished products. And finally I spoke with five indie booksellers who convey the enthusiasm, the passion, and the purpose of author, agent, and editor in their efforts to place the books in the hands of their intended readers. Along the way I was introduced to marketing directors, publicity managers, events directors, sales reps, and other agents, editors, and authors who aided in forging connections that proved crucial in the process. The result is a series of illustrations offering a glimpse at how the book business operates on the strength of personal and professional bonds among dedicated people working toward the twin goals of creative expression and smart business.
Jordy Rosenberg
author of the novel Confessions of the Fox, published in June by One World, an imprint of Random House
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Literary MagNet
When Greg Marshall began writing the essays that would become his memoir, Leg: The Story of a Limb and the Boy Who Grew From It (Abrams Press, June 2023), he wanted to explore growing up in Utah and what he calls \"the oddball occurrences in my oddball family.\" He says, \"I wanted to call the book Long-Term Side Effects of Accutane and pitch it as Six Feet Under meets The Wonder Years.\" But in 2014 he discovered his diagnosis of cerebral palsy, information his family had withheld from him for nearly thirty years, telling him he had \"tight tendons\" in his leg. This revelation shifted the focus of the project, which became an \"investigation into selfhood, uncovering the untold story of my body,\" says Marshall. Irreverent and playful, Leg reckons with disability, illness, queerness, and the process of understanding our families and ourselves.
THE MEUSEUM OF HUMAN HISTORY
READING The Museum of Human History felt like listening to a great harmonic hum. After I finished it I found the hum lingering in my ears. Its echo continued for days.
The Sea Elephants
SHASTRI Akella's poised, elegant debut, The Sea Elephants, is a bildungsroman of a young man who joins a street theater group in India after fleeing his father's violent disapproval, the death of his twin sisters, and his mother's unfathomable grief.
The History of a Difficult Child
MIHRET Sibhat's debut novel begins with God dumping rain on a small Ethiopian town as though. He were mad at somebody.
The Sorrows of Others
AS I read each story in Ada Zhangâs brilliant collection, The Sorrows of Others, within the first few paragraphsâ sometimes the first few sentencesâ I felt I understood the characters intimately and profoundly, such that every choice they made, no matter how radical, ill-advised, or baffling to those around them, seemed inevitable and true to me.
We Are a Haunting
TYRIEK Whiteâs debut novel, We Are a Haunting, strikes me as both a love letter to New York City and a kind of elegy.
RADICAL ATTENTION
IN HER LATEST BOOK, THE LIGHT ROOM: ON ART AND CARE, PUBLISHED BY RIVERHEAD BOOKS IN JULY, KATE ZAMBRENO CELEBRATES THE ETHICAL WORK OF CAREGIVING, THE SMALL JOYS OF ORDINARY LIFE, AND AN ENGAGEMENT WITH THE NATURAL WORLD WITHIN HUMAN SPACES.
The Fine Print
HOW TO READ YOUR BOOK CONTRACT
First
GINA CHUNG'S SEA CHANGE
Blooming how she must
WITH ROOTS IN NATURE WRITING, ENVIRONMENTAL JUSTICE, POETRY, AND PHOTOGRAPHY, CAMILLE T. DUNGY'S NEW BOOK, SOIL: THE STORY OF A BLACK MOTHER'S GARDEN, DELVES INTO THE PERSONAL AND POLITICAL ACT OF CULTIVATING AND DIVERSIFYING A GARDEN OF HERBS, VEGETABLES, FLOWERS, AND OTHER PLANTS IN THE PREDOMINANTLY WHITE COMMUNITY OF FORT COLLINS, COLORADO.