As a child I spent many late nights in front of the glow emitted from my television. The midnight movies, full of Universal monsters and favorite was the original Twilight Zone episodes, reruns from the original 1960s broadcast. These stories have stuck with me over the years, but one in particular stands out because of the true fear it caused me
The episode opens with a daughter arguing with her father, creating a scene that is a familiar one. As she continues we learn that her father is an inventor, and has created many maids and servants to take care of everything for them. To make them more ‘human’, he has not only given them real, human like flesh, but he has also implanted memories in them, memories he concocted. These memories gave them a past, a family, a human experience. The ethical question is now brought to forefront by his daughter. She implores her father to dismantle them, because of not only the ethical issues, but he and her mother have become completely dependent on them. She begs, pleads, and argues her case, until he finally relents and decides to dismantle them all, or so he tells her. Soon thereafter she declares that she will be leaving what she refers to as “the stifling confines of the house”, exploring the world to find love, and to marry, and have children. Her parents look at each other with dismayed expressions, sadness welling up in their eyes. All at once it hits the daughter like a ton of bricks. She realises that there are no photos of her as a child, no records of her upbringing, no physical tokens for the memories she holds. The audience realises at the same time that she too is a robot, and every memory was crafted to create a reality for her to live within. Her thoughts, dreams, experiences, all created by someone else, nothing that she holds true as reality is so. Once the realisation has been made, silence fills the room, and her fate is becoming obvious. The final scene opens with the daughter, now dressed as a maid, cleaning the house she once occupied. The look in her eyes is vacant and empty, with every memory taken away from her. Chills run up my spine every time I see that ending.
この記事は Skin Deep の Issue 283 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
すでに購読者です ? サインイン
この記事は Skin Deep の Issue 283 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
すでに購読者です? サインイン
Ask Here Part Two
With the release of Tattooing Ask Here—a collection of original and traditional flash, interview, stories and photographs detailing the tattoo history of Felix Leu—we took the spectacularly well-timed opportunity to speak to Loretta Leu about the book and her life with Felix. The following concludes our time well spent…
The SERPENTS of BIENVILLE
SEAN HERMAN’S TRANSFORMATIVE TATTOO
SAVED BY INK
Carlos ‘Loz’ Oliveros has never had any shortage of passion or drive. Inspired by his father, a pro fighter and DIY tattooer, Oliveros started boxing when he was just six years old, then picked up tattooing at 16. All the while surrounded by the realities of Miami’s Mexican gang culture. Saved by tattooing, Oliveros chose to follow a different path than most of his peers. A path he’s now sharing on a VH1 docu-series called Cartel Crew
THE PRODUCER
It’s no surprise at all to run into a guy like Russ Russell. Pretty much every tattoo artist I talk with cites music as a massive influence on their work and lives in general. But while, for most of them, music is a passion—an inspiration, even, for their day job at the tattoo shop—for Russ it’s almost the other way around. Music is his day job, Russ having worked as both a producer and musician for many years, with tattooing coming later on down the line
Why Is That First Tattoo Encounter So Terrifying?
There is something about getting that very first tattoo that will always make you feel a little bit sick when you walk through the door
The Serpents Of Bienville - Sean Herman's Transformative Tattoo
“There is probably nothing more menacing or dangerous than an individual who is devoid of compassion or empathy. When this individual is permitted by community apathy and bias to successfully cloak himself in the attire of one who claims allegiance to his or her Creator, it becomes the moral imperative of those who lay witness to the peril to step up before it is too late. Until such a time when domestic violence and sexual assault are eradicated for good, the perpetrators of these deplorable acts will continue to cause unspeakable harm as Evil’s welcomed ambassadors and Tyranny’s strongest ally.”
The Eternal River
Through impact-laden encounters between ornamental and figural imagery, tattooist Aron Dubois has developed a self-sourced visual language that openly explores symbology, spirituality and surrealism in an effort to “drink from the eternal river” and return to what the Colorado-native defines as “the source”. Drawing much of his inspiration from esoteric literature, mythic archetypes and the natural world, Dubois has spent his decadelong relationship with the craft “digging for the grail of tattooing”. Here, Dubois demystifies his “optimistic escape attempt” from the addictive dangers of digital tools, and the answers he finds in nature when allowing the walls that stand between himself and the world to dissolve
Palm Reader
For centuries we have looked to our palms as a valuable source of information, a complex blueprint of one’s identity, both physical and spiritual. The latter has seen the palm as a bodily map for instigating premonitions, with its many criss-crossing lines foretelling either a joyful life or a foredooming resolution
Japanese Whispers
He is one of the most gifted Japanese tattooers of his generation. From the region of Niigata in the North-East of Japan, he's spreading the beauty of Japanese tattoo culture. All tattoo lovers praise his complex and very detailed compositions which adorn the bodies of some very lucky collectors, but after 20 years, Tomo is ready to move on…
Rule Breaker
Esther Garcia plays by her own rules — she always has and always will. Even with two decades of experience, the Chicago-based artist still finds ways to push herself and innovate. Whether it’s juxtaposing two unexpected styles (she fuses blackout work with botanical imagery inspired by Dutch Masters beautifully) or offering a unique tattoo curation service in which she doesn’t actually tattoo, Garcia isn’t afraid to take risks. What else is up her sleeve? We tracked her down to find out.
