1978 is a crucial year in your life : Felix has the revelation about tattooing in Yugoslavia ; he learns the basics of tattooing with Jock, an old-timer in London who accepted to teach him and then, after 6 months of “apprenticeship”, all the family leaves, Felix with a bit of a material to start tattooing, to Goa, India. Why that fast and why that far?
First of all, life was very cheap there, and it was also a good place for kids to grow up in. But the main reason was that Goa had a steady stream of travellers passing through it, Westerners who would come there for 2 weeks, one month… people like us. So Felix thought that was a good place to go and tattoo. We didn’t have a lot of work in the beginning, maybe one or two tattoos a week. But because life was cheap—we could even afford two maids in this big 10-room house we rented—and with some money, we had saved in Europe we knew that we could last for a few years. There were just a few tattooers there at the time; we became friends with Gippi Rondinella from Rome and Paco el Vasco, a nomadic tattooer. There was also an Indian tattooer, Soma, who worked in the market in the town of Mapsa and in the weekly hippie flea market.
How could you be sure that this stream of people would become a clientele?
Because of that village in Yugoslavia, come on! It’s true that tattooing was not so popular with hippies until Janis Joplin got her bracelet and little heart from Lyle (Tuttle, tattooer from San Francisco). It was not a big thing in the hippie scene. There were not so many people tattooed when we arrived. But there were travellers, freaks—which is a bigger name for the whole thing; hippies is a certain niche label, “freaks” includes everyone who thinks differently, people who don’t follow the mainstream. Because we were the same as our clients in a way, it worked!
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Ask Here Part Two
With the release of Tattooing Ask Hereâa collection of original and traditional flash, interview, stories and photographs detailing the tattoo history of Felix Leuâwe took the spectacularly well-timed opportunity to speak to Loretta Leu about the book and her life with Felix. The following concludes our time well spentâŠ
The SERPENTS of BIENVILLE
SEAN HERMANâS TRANSFORMATIVE TATTOO
SAVED BY INK
Carlos âLozâ Oliveros has never had any shortage of passion or drive. Inspired by his father, a pro fighter and DIY tattooer, Oliveros started boxing when he was just six years old, then picked up tattooing at 16. All the while surrounded by the realities of Miamiâs Mexican gang culture. Saved by tattooing, Oliveros chose to follow a different path than most of his peers. A path heâs now sharing on a VH1 docu-series called Cartel Crew
THE PRODUCER
Itâs no surprise at all to run into a guy like Russ Russell. Pretty much every tattoo artist I talk with cites music as a massive influence on their work and lives in general. But while, for most of them, music is a passionâan inspiration, even, for their day job at the tattoo shopâfor Russ itâs almost the other way around. Music is his day job, Russ having worked as both a producer and musician for many years, with tattooing coming later on down the line
Why Is That First Tattoo Encounter So Terrifying?
There is something about getting that very first tattoo that will always make you feel a little bit sick when you walk through the door
The Serpents Of Bienville - Sean Herman's Transformative Tattoo
âThere is probably nothing more menacing or dangerous than an individual who is devoid of compassion or empathy. When this individual is permitted by community apathy and bias to successfully cloak himself in the attire of one who claims allegiance to his or her Creator, it becomes the moral imperative of those who lay witness to the peril to step up before it is too late. Until such a time when domestic violence and sexual assault are eradicated for good, the perpetrators of these deplorable acts will continue to cause unspeakable harm as Evilâs welcomed ambassadors and Tyrannyâs strongest ally.â
The Eternal River
Through impact-laden encounters between ornamental and figural imagery, tattooist Aron Dubois has developed a self-sourced visual language that openly explores symbology, spirituality and surrealism in an effort to âdrink from the eternal riverâ and return to what the Colorado-native defines as âthe sourceâ. Drawing much of his inspiration from esoteric literature, mythic archetypes and the natural world, Dubois has spent his decadelong relationship with the craft âdigging for the grail of tattooingâ. Here, Dubois demystifies his âoptimistic escape attemptâ from the addictive dangers of digital tools, and the answers he finds in nature when allowing the walls that stand between himself and the world to dissolve
Palm Reader
For centuries we have looked to our palms as a valuable source of information, a complex blueprint of oneâs identity, both physical and spiritual. The latter has seen the palm as a bodily map for instigating premonitions, with its many criss-crossing lines foretelling either a joyful life or a foredooming resolution
Japanese Whispers
He is one of the most gifted Japanese tattooers of his generation. From the region of Niigata in the North-East of Japan, he's spreading the beauty of Japanese tattoo culture. All tattoo lovers praise his complex and very detailed compositions which adorn the bodies of some very lucky collectors, but after 20 years, Tomo is ready to move onâŠ
Rule Breaker
Esther Garcia plays by her own rules â she always has and always will. Even with two decades of experience, the Chicago-based artist still finds ways to push herself and innovate. Whether itâs juxtaposing two unexpected styles (she fuses blackout work with botanical imagery inspired by Dutch Masters beautifully) or offering a unique tattoo curation service in which she doesnât actually tattoo, Garcia isnât afraid to take risks. What else is up her sleeve? We tracked her down to find out.