Art and design are like eternal lovers: inseparable, twined together and incomplete without each other. This idiom especially personifies Sabyasachi Mukherjee. Couturier, art aficionado, craft evangelist, design guru and a romantic soul who defines Indian couture today. Every design expression by this iconic artist is like a lilting raaga, reminiscent of a purity that is steeped in the past. Every artistic insinuation an ode to the Bengal that resides in his heart. The majestic Thakur baadis where once lived the talukdars of Bengal. The avant-garde, progressive world of Tagore. The understated beauty of the Company School of Art and the brilliance of indigenous embroideries and textural textiles that the weavers and beaders of Kolkata made for the aristocracy.
Yet, to restrict him to Bengal would be myopic and not representative of his eclectic design. Nor will it be fair to his refined eye that is able to capture the many heritage stories of India, evident in the sheer voracity of elements that fill his decorous ateliers. Lithographs from German Press, chandeliers from erstwhile palaces, hand-cut crystal bottles in a host of hues, a series of Ravi Varma prints that got embellished in Rangoon and wallpapers that celebrate chintz.
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