Growing up in a poor area of Yorkshire, the young Gary Clarke would regularly thrash his body around to loud music. He didn’t realise it at the time, but he was dancing.
This wouldn’t normally be remarkable but, where Clarke came from, people – and especially boys – didn’t dance. ‘I’m from a mining village called Grimethorpe,” he says. ‘This was the (post-miners’ strike) 1990s and things were bleak for my generation. It was really tough with unemployment, drugs and crime in the village, and everyone got their frustrations and emotions out in different ways. Throwing myself around to music was the way I did it. I knew there was something else inside of me. Of course, I didn’t know what I was doing. It was just a form of expression for me. But it was how I found dance.’
Thankfully, one of his teachers recognised he had a talent for movement and, in 1996, asked Clarke if he’d like to dance for the pupils at assembly. So he gelled his hair up, put on a tracksuit and sunglasses, took a cassette player on stage, pressed play – and went for it. ‘I improvised,’ he laughs. ‘I threw my body around and the school just went wild. They’d never seen a male dancer, or anything like it before.’
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