It’s easy to get stuck in an artistic rut. It happens to me all the time! The blank page can be intimidating, and even scary. You can get lost out there in the void, just like the emptiness of space. Sometimes all you need is something to grab on to, something familiar yet unexpected, to help get you orientated and moving in the right direction.
In this workshop, I’ll show you how to banish creative block by making something cool out of something ordinary. I’m going to take a boring object and transform it into an epic spaceship fit for a space opera. The great thing about spaceships is that they can look like anything: a stapler, a bag clip, a pencil… even one of your shoes!
For this project, I’m starting with a sturdy pipe wrench. When designing spacecraft, I ask myself questions like, “How big is it? Where is the bridge? How is it powered? Does it have engines and/or thrusters?”
Once I’ve found an object, I take pictures of it from all angles, trying to find an interesting viewpoint that also shows off its silhouette. In terms of this pipe wrench, I like the way its jaws open to looking like a docking port, inspiring me to transform it into a space station. Here’s how I do it.
1 Set up a perspective grid
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PAINT EPIC BATTLES IN TRADITIONAL INK
Warhammer illustrator THOMAS ELLIOTT shows you how to create an epic science fiction fight scene with this step-by-step guide
CONJURE MAGIC ILLUSTRATIONS
Daria Anako demonstrates her process for creating a whimsical piece of art with some spellbinding touches
First Impressions
We discover the early influences that inspired the artist
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DRAGON OFORCEC
Legendary D&D artist Larry Elmore explains the keys to crafting timeless fantasy art.
DUNGEON MASTERS
ImagineFX marks the milestone 50th anniversary of the launch of Dungeons & Dragons with a look at its rich tradition of illustration
Erik Ly
Gamer's haven Why the artist enjoys a maximalist aesthetic more than the minimalist approach.
2D meets 3D: How the workflows are merging
Interdimensional As VFX and animation evolve and tools become more accessible, Tanya Combrinck asks whether the separation between the mediums is reducing