KEEP IT REAL Escape Motions’ budget program is the latest evolution in digital art software, which attempts the recreation of traditional media.
After launching the program for the first time, Rebelle feels like a low-calorie version of Photoshop. There are noticeably fewer tools and menus. The list of brush tips is a lot smaller (at least in the program’s default installation package) and there appear to be fewer options.
But this program is a different beast from Photoshop. In the top left corner is a small set of realistic-looking paint brushes with different shapes. Yet clicking them doesn’t give you a variety of shapes, but rather different painting media.
Furthest on the left is watercolour, then acrylic, pastel, coloured pencil, ink, marker and spray paint. Within each of these is a submenu of brush tips, each with a clutch of options.
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PAINT EPIC BATTLES IN TRADITIONAL INK
Warhammer illustrator THOMAS ELLIOTT shows you how to create an epic science fiction fight scene with this step-by-step guide
CONJURE MAGIC ILLUSTRATIONS
Daria Anako demonstrates her process for creating a whimsical piece of art with some spellbinding touches
First Impressions
We discover the early influences that inspired the artist
ZBrush for iPad
GAME CHANGER The desktop version of popular 3D sculpting software ZBrush has been redesigned for iPad - and it's brilliant
BenQ GW2786TC
GET AN EYEFUL Don't scrimp out on your health with a monitor that's kind on the eyes and good for creative tasks
Huion Kamvas Pro 19
TABLET WARS An attractive pen display does an excellent job of balancing price and performance as it sets out to challenge its rivals in the mobile marketplace
DRAGON OFORCEC
Legendary D&D artist Larry Elmore explains the keys to crafting timeless fantasy art.
DUNGEON MASTERS
ImagineFX marks the milestone 50th anniversary of the launch of Dungeons & Dragons with a look at its rich tradition of illustration
Erik Ly
Gamer's haven Why the artist enjoys a maximalist aesthetic more than the minimalist approach.
2D meets 3D: How the workflows are merging
Interdimensional As VFX and animation evolve and tools become more accessible, Tanya Combrinck asks whether the separation between the mediums is reducing