RELEASED OUT NOW! 12A | 151 minutes
Director Patty Jenkins
Cast Gal Gadot, Connie Nielsen, Robin Wright, Kristen Wiig, Chris Pine, Pedro Pascal
How do you make a successful DC movie these days? By keeping it as far from looking like a DCEU movie as possible, it seems. While a small but vocal section of fans online eagerly awaits the Snyder Cut of Justice League, the irony is that the best-received DC films of late – Shazam!, Aquaman, Birds Of Prey – are the ones which seem to ignore that the Justice League shared universe ever existed. Even the first Wonder Woman film, made at the height of the Snyder-plan, had only one brief nod to Batman, then went and did its own, more interesting thing.
Now we have Wonder Woman 1984 (or, if its onscreen title is to be taken as canon, WW84, which perhaps holds a double meaning for a movie set at the height of Cold War nuclear tension). Even more than before, this feels like Wonder Woman emancipated from the grimdark trappings of the Snyder-verse. Don’t read that to mean, “It’s gone all MCU!”, though. Superficially, WW84 may feel a little more Marvel, but its main influences in terms of tone and emotional heart are clearly the Christopher Reeve Superman films (and, more specifically, director Richard Donner’s blueprint for that series). Patty Jenkins returns as director, with Gal Gadot once again starring as the Amazon warrior, and together they deliver the kind of sequel you want, keeping everything you liked about the first film but creating something very different as well.
この記事は SFX の January 2021 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
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この記事は SFX の January 2021 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
すでに購読者です? サインイン
ANCER MAHAGEMENT
WITH A NEW TRILOGY IN SIGHT, WE SPEAK TO THE DIRECTOR OF 28 WEEKS LATER THE ORIGINAL CHILLING SEQUEL TO DANNY BOYLE'S SEMINAL SURVIVAL HORROR
WHO YA CONNA CALL?
BEHIND THE SCENES AT HALLOWEEN HORROR NIGHTS FOR GHOSTBUSTERS: FROZEN EMPIRE
SPEAK OF THE DEVIL
THE DEVIL'S HOUR STRIKES TWICE AS THE GENREDEFYING DRAMA RETURNS
SCARRY STORIES TO TELL IN THE DARK
FROM THE RETURN OF EC COMICS TO SCREAM!, THIS YEAR'S HALLOWEEN OFFERS UP HORROR COMICS FOR ALL THE AGES
UNDEADS REFLECTIONS
NEIL JORDAN ON BRINGING ANNE RICE'S MODERN VAMPIRE CLASSIC TO SCREEN, 30 YEARS ON
MUNSTER MASH!
PRODUCTION HELL, SHOCK RECASTING AND HOTLY CONTESTED AUTHORSHIP. AS THE MUNSTERS CELEBRATE THEIR 60TH ANNIVERSARY, WE UNCOVER HOW THE SPOOKY SITCOM WAS ALMOST DEAD ON ARRIVAL
COMING TO AMERICA
THE MOGWAI LIVE THE AMERICAN DREAM IN THEIR SECOND CHAPTER, GREMLINS: THE WILD BATCH
BEING HUMAN EVOLUTION
IT MAY HAVE BEEN AN INSTANT HIT, BUT BBC THREE'S DARKLY COMIC DRAMA ABOUT A HOUSE-SHARING VAMPIRE/WEREWOLF/GHOST TRIO HAD A STRANGE JOURNEY TO THE SCREEN, SERIES CREATOR TOBY WHITHOUSE TELLS SFX
THE MAINE EVENT
THE DARK IS RISING IN SALEM'S LOT AS STEPHEN KING'S DEATHLESS TALE RETURNS TO THE SCREEN
WHY DON'T YOU STAY FOR A BITE?
THE VAMPIRE COMES HOME AS DIRECTOR EUROS LYN WELCOMES SFX TO HIS NEW DARK COMEDY THE RADLEYS