Colston Hall, bristol, June 17, 2017
Do androids dream of electric blankets?
ONCE rare as comets, Kraftwerk tours have become increasingly regular over the past decade. More accessible and yet more mysterious than ever, the band’s third run of British shows in five years is the latest iteration of their ever-evolving 3D spectacle. Disillusioned old-school fans may deride the Dad’s Army of technopop as a creatively sterile heritage act, but there are screaming millennials in Bristol who were not even born during their late-’70s peak. Their mesmerising brand of sublime banality clearly has pan-generational appeal.
Judged by pop norms, of course, Kraftwerk can be easily faulted for their Betamax futurism, their thin latterday output and their endless reworking of ancient source material. But judge them as a living, breathing, constantly self-refining artwork and they are peerless. Decades in development, this immersive live show is the richest Kraftwerkian experience yet, a ravishing sensory feast that combines painstakingly sculpted sound design, exquisite visuals, absurdist comedy and a potent undercurrent of human emotion.
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Kim Gordon: La Ghosts & Flowers
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Tinariwen: Even Nomads Get The Blues
A lot has changed for TINARIWEN since they became superstars of desert rockânâroll. But their Saharan homeland remains as troubled as ever. We track the band down in Morocco, where Michael Bonner hears tales of exile, insurgency and belonging. âAs long as people are oppressed, there will be room for protest music,â they explain
Angel Olsen: Her Bright Materials
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âI Was Insatiable!â
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'I Was Pretty Bad At Being A Pop Star'
Riding high on the back of Bon Iverâs endorsement and his finest album in years, the piano master discusses the Grateful Dead, Bob Dylan, cryogenics and appearing in âsome of the worst videos ever madeâ
The Go-Betweens - G Stands For Go-Betweens: Volume 2 â 1985â1989 Domino
Australian indie ambassadorsâ golden age showcased in opulent style.
It's Too Late To Stop Now
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Robert Plant - Digging Deep
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Leonard Cohen - Thanks For The Dance
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'I'll Tell You The Full StoryâŠ'
During the past 12 months, a series of lavish boxsets have tracked DAVID BOWIEâs early development throughout 1968 and 1969. As this comprehensive archeological survey concludes with Conversation Piece, long-serving producer TONY VISCONTI relives the highs and lows of Bowieâs breakthrough. There are ham sandwiches, Marc Bolan impressions, the peerless âSpace Oddityâ, and tearful studio interludes⊠but, most importantly, we learn how the music made during this brief but pivotal period critically influenced one superstar in the making: David Bowie himselfâŠ