THE Montford neighbourhood of Asheville, North Carolina feels like a secret garden. Historic homes are framed by kindly old trees, crawling ivy, blooming hostas and rustic stone. A chorus of birds flies in constant song. Walking the narrow streets, there’s a congruent sense of charm and mystery, the product of its fiercely protected antiqueness, like a fairytale hideaway from the Brothers Grimm.
“That’s the house,” Angel Olsen explains, pointing across the street. “That was my dream house.” Olsen has lived in Asheville for six years, and has recently become a homeowner. But the house she gazes at is not hers. This house is a relic of a former life. Its pitched roof and gable are reminiscent of the so-called Storybook homes built throughout the 1920s, part English cottage and part Swiss chalet, with a generous helping of Seuss-ian whimsy. For years, Olsen admired this charming little home. It was an aspirational symbol of the security and prosperity she desired for herself and her future family, one that seemed increasingly realistic amid her growing success.
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Kim Gordon: La Ghosts & Flowers
As KIM GORDON prepares to release No Home Record â her brilliant debut solo album â she takes stock of her consistently adventurous career so far. To discuss: her early days in New Yorkâs Downtown, cooking with Neil Young and the perils of gentrification. âLife is unexpected,â she tells Tom Pinnock
Tinariwen: Even Nomads Get The Blues
A lot has changed for TINARIWEN since they became superstars of desert rockânâroll. But their Saharan homeland remains as troubled as ever. We track the band down in Morocco, where Michael Bonner hears tales of exile, insurgency and belonging. âAs long as people are oppressed, there will be room for protest music,â they explain
Angel Olsen: Her Bright Materials
Welcome to Asheville, North Carolina, where ANGEL OLSEN is poised to release her new album, All Mirrors. Erin Osmon joins the singer-songwriter at home to discuss heartbreak, fantasy property deals and her latest bold pop experiment. âSometimes your dreams are not what they seem,â she says
âI Was Insatiable!â
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'I Was Pretty Bad At Being A Pop Star'
Riding high on the back of Bon Iverâs endorsement and his finest album in years, the piano master discusses the Grateful Dead, Bob Dylan, cryogenics and appearing in âsome of the worst videos ever madeâ
The Go-Betweens - G Stands For Go-Betweens: Volume 2 â 1985â1989 Domino
Australian indie ambassadorsâ golden age showcased in opulent style.
It's Too Late To Stop Now
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Robert Plant - Digging Deep
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Leonard Cohen - Thanks For The Dance
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'I'll Tell You The Full StoryâŠ'
During the past 12 months, a series of lavish boxsets have tracked DAVID BOWIEâs early development throughout 1968 and 1969. As this comprehensive archeological survey concludes with Conversation Piece, long-serving producer TONY VISCONTI relives the highs and lows of Bowieâs breakthrough. There are ham sandwiches, Marc Bolan impressions, the peerless âSpace Oddityâ, and tearful studio interludes⊠but, most importantly, we learn how the music made during this brief but pivotal period critically influenced one superstar in the making: David Bowie himselfâŠ