Stan Overington was born in Kojonup, a town in Western Australia’s south-west. He was the only child of parents who operated a bakery and tearooms.
“Much of my childhood was spent finding things to occupy myself,” he says. “I have always loved drawing and we were fortunate enough to have a ‘resident artist’, Mr. Battie, who (I suspect as a favor to my mother) agreed to give me lessons. His classes were for adults – and as I was about seven at the time, I received much assistance from the others in the group. I attended for about three months or so, and during that period I learned the importance of accuracy in the presentation.”
Those early lessons have been carried through into his work today.
“Art has always played a part in my life,” he admits. “Sometimes it has been all-consuming; sometimes it has been pushed aside because of other commitments.”
Stan’s first commercial step into the art world was to find old bikes, restore them, paint them; and finish them with dagger line designs. He describes this phase in his early career as ‘great training in the use of liner brushes and accuracy in fine work’!
この記事は Australian How To Paint の Issue 31 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
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この記事は Australian How To Paint の Issue 31 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
すでに購読者です? サインイン
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