As consumer replaces student, an exhibition studies the demise of Auckland’s specialist arts libraries, and mourns the blissful stretches of time once spent in them.
In August 2018, before the oak trees in Whitaker Place burst into leafy lushness, photographer Sam Hartnettspent a number of days on campus at the University of Auckland photographing the Fine Arts, Architecture & Planning and Music & Dance Libraries. These spaces are on the verge of disappearance, and will soon be consolidated by the university into the main library.
While Hartnetthas previously documented the School of Architecture & Planning Library and the Music School by Manning Mitchell (an NZIA Enduring Architecture award winner) his carefully pruned group of 12 photographs from the exhibition Ex Libris comprises, with almost no exception, close-up views of interiors. His selection is modest, shady, textural and eschews the heroic architectural image.
The three libraries are architecturally diverse. They range from the modern to the postmodern, and each enjoys a unique campus setting. Elevated above Grafton Gully, the Fine Arts Library feels like a treehouse. The windows of the Music Library curve around a courtyard complete with parasols and trellis. The organisation of each space reflects the particular needs of students from different disciplines – however, in Hartnett’s photographs, it’s almost impossible to differentiate one library from another.
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The Past Is Present
In exhibitions at public galleries around the country, artists reflect on our collective, individual and cultural histories.
Why I Walk Carl Douglas
How the experience of walking reveals our world to us and informs our sense of our place in it.
My Favourite Building Chlöe Swarbrick
Built on Aucklandâs Karangahape Road in the 1920s, St Kevinâs Arcade has served as vocational inspiration and a meeting place for the Green MP since she was a teenager.
Humble Special
PAC Studio designs a home on a tiny budget in the bush above the Kaipara Harbour.
Modern Love
Assembly Architects draws on lightweight Californian modernism to craftan elegant mountain retreat.
Family Tree
On a leafy site in the Waikato, Tane Cox crafts a subtle home for three generations
LOW PROFILE
Sometimes, strict covenants can be a blessing in disguise.
Fine Line
A house in a vineyard by Stuart Gardyne shows country living need not be rustic.
Elegant Shed
Ben Daly rehabilitates a farm building with a long family history on the Canterbury Plains.
Perfect Pitch
An encampment by an inlet casually inhabits land at Tawharanui.