A few years ago, a couple with young children approached Fearon Hay with their thoughts about building on rural land they’d purchased on the Tawharanui Peninsula. Located on an inlet, big, rolling grassy hills trickle down to the water’s edge. The estuary is not your quintessential ocean-front view for a holiday home and the owners’ approach to building on the large site veered from convention.
Early discussions with Fearon Hay were about a loose occupation of the land and how it could eventually be used in a few different ways. The couple was interested in how the long-term occupation of the site might develop from an initial, informal dwelling. There was time to consider a more substantial and permanent set-up, but only if they felt it was what they wanted or needed.
Talk arose around a scattered inhabitation of the landscape – a couple of cabins, an encampment. As you do when you camp, it all comes back to the essentials – there would be one cabin for living, one for sleeping.
The cabins are about 35 square metres each, are offset on the site and project towards the water. A loose interpretation of a courtyard between them creates entry points where they touch the land. Where they hover on the site, the cabins sit on timber piles that are stepped back from the edges and painted black to recede from sight.
Designing to such a modest scale gave the architects the opportunity to craft their response and perfect the balance of scale. “Projects of this scale are really enjoyable as they enable you to have the level of detail and quality that we like to work with,” says Piers Kay, project lead and associate at Fearon Hay.
この記事は HOME の December 2019 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
すでに購読者です ? サインイン
この記事は HOME の December 2019 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
すでに購読者です? サインイン
The Past Is Present
In exhibitions at public galleries around the country, artists reflect on our collective, individual and cultural histories.
Why I Walk Carl Douglas
How the experience of walking reveals our world to us and informs our sense of our place in it.
My Favourite Building Chlöe Swarbrick
Built on Auckland’s Karangahape Road in the 1920s, St Kevin’s Arcade has served as vocational inspiration and a meeting place for the Green MP since she was a teenager.
Humble Special
PAC Studio designs a home on a tiny budget in the bush above the Kaipara Harbour.
Modern Love
Assembly Architects draws on lightweight Californian modernism to craftan elegant mountain retreat.
Family Tree
On a leafy site in the Waikato, Tane Cox crafts a subtle home for three generations
LOW PROFILE
Sometimes, strict covenants can be a blessing in disguise.
Fine Line
A house in a vineyard by Stuart Gardyne shows country living need not be rustic.
Elegant Shed
Ben Daly rehabilitates a farm building with a long family history on the Canterbury Plains.
Perfect Pitch
An encampment by an inlet casually inhabits land at Tawharanui.