A bach by Gerald Parsonson in Hawke’s Bay provides places to sit in the sun, and places to retreat from the wind.
On the wall in the den of Adie and Matthew McClelland’s Hawke’s Bay bach, there’s a small Dick Frizzell painting entitled ‘Mangakuri’. It depicts a little old greeny-blue weatherboard cottage: pitched roof and deep, covered verandah. The couple bought the cottage in 2000, after renting baches in the bay for 13 years. “That particular bach was one we never thought of,” says Adie McClelland. “But the extraordinary thing is they all have their really special uniqueness, and a view.”
Mangakuri – the place, rather than the painting – is one of those classic little east coast beach side settlements. There’s one winding road in and out, over grassy burnt hills, the dust kicking out behind your wheels. The gravel road winds along the dunes between the beach and a handful of houses, which are small and polite, generally one storey.
The McClellands’ place is at one end of the beach, up a small rise and sheltered with plantings of flax, pahutukawa, ngaio, karaka and cabbage trees . There’s a farm gate, a loose gravel driveway and, at the top of the drive, two weathering cedar boxes designed by Gerald Parsonson.
Despite its painterly appeal and what Parsonson describes as “a wonderful spirit stacked up with McClelland bits and pieces”, there wasn’t much to work with or save. “We loved the old bach to bits,” says Adie, a food writer who featured the place in her ‘Black Dog Cottage’ cookbooks. “But it was very broken down.”
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The Past Is Present
In exhibitions at public galleries around the country, artists reflect on our collective, individual and cultural histories.
Why I Walk Carl Douglas
How the experience of walking reveals our world to us and informs our sense of our place in it.
My Favourite Building Chlöe Swarbrick
Built on Aucklandâs Karangahape Road in the 1920s, St Kevinâs Arcade has served as vocational inspiration and a meeting place for the Green MP since she was a teenager.
Humble Special
PAC Studio designs a home on a tiny budget in the bush above the Kaipara Harbour.
Modern Love
Assembly Architects draws on lightweight Californian modernism to craftan elegant mountain retreat.
Family Tree
On a leafy site in the Waikato, Tane Cox crafts a subtle home for three generations
LOW PROFILE
Sometimes, strict covenants can be a blessing in disguise.
Fine Line
A house in a vineyard by Stuart Gardyne shows country living need not be rustic.
Elegant Shed
Ben Daly rehabilitates a farm building with a long family history on the Canterbury Plains.
Perfect Pitch
An encampment by an inlet casually inhabits land at Tawharanui.