Lisa Webb creates a home of intrigue and shadow on a tiny scrap of land that was formerly a front lawn.
For a moment, coming in from a bright Auckland afternoon through the timber-lined entry of architect Lisa Webb’s home, your eyes take time to adjust. Slowly, the house reveals itself as you round the corner – a black ceiling, rimu lining and dark blue walls come into relief.
The effect is almost painterly, with the hues of an old Dutch master. Colours are warm and saturated. Shafts of light enter through deliberately placed windows and skylights, to exist as almost solid objects inside the space. There are quite a lot of walls. The entire house feels cocooned, pleasantly inward facing, but not claustrophobic. “I feel comfortable in enclosed spaces,” says Webb. “I like feeling my back against a wall. For me it’s a physical sense, the way you feel a space. It’s one of the reasons I became an architect – because I felt physically different in different spaces.”
It’s also a deliberate response to the tiny inner-city Auckland site on which the house sits. Webb and her husband Alastair Pope were renting a rambling old bungalow on a 1000-square-metre site across the road when, in 2015, this section came up. It’s 332 square metres, of which only 200-odd are buildable, thanks to a driveway that’s shared with the house behind. It was covered in covenants to protect the view from the original house, and while it was flat and got good sun, north was straight out front, to the street.
ãã®èšäºã¯ HOME ã® June 2019 çã«æ²èŒãããŠããŸãã
7 æ¥éã® Magzter GOLD ç¡æãã©ã€ã¢ã«ãéå§ããŠãäœåãã®å³éžããããã¬ãã¢ã ã¹ããŒãªãŒã9,000 以äžã®éèªãæ°èã«ã¢ã¯ã»ã¹ããŠãã ããã
ãã§ã«è³Œèªè ã§ã ?  ãµã€ã³ã€ã³
ãã®èšäºã¯ HOME ã® June 2019 çã«æ²èŒãããŠããŸãã
7 æ¥éã® Magzter GOLD ç¡æãã©ã€ã¢ã«ãéå§ããŠãäœåãã®å³éžããããã¬ãã¢ã ã¹ããŒãªãŒã9,000 以äžã®éèªãæ°èã«ã¢ã¯ã»ã¹ããŠãã ããã
ãã§ã«è³Œèªè ã§ã? ãµã€ã³ã€ã³
The Past Is Present
In exhibitions at public galleries around the country, artists reflect on our collective, individual and cultural histories.
Why I Walk Carl Douglas
How the experience of walking reveals our world to us and informs our sense of our place in it.
My Favourite Building Chlöe Swarbrick
Built on Aucklandâs Karangahape Road in the 1920s, St Kevinâs Arcade has served as vocational inspiration and a meeting place for the Green MP since she was a teenager.
Humble Special
PAC Studio designs a home on a tiny budget in the bush above the Kaipara Harbour.
Modern Love
Assembly Architects draws on lightweight Californian modernism to craftan elegant mountain retreat.
Family Tree
On a leafy site in the Waikato, Tane Cox crafts a subtle home for three generations
LOW PROFILE
Sometimes, strict covenants can be a blessing in disguise.
Fine Line
A house in a vineyard by Stuart Gardyne shows country living need not be rustic.
Elegant Shed
Ben Daly rehabilitates a farm building with a long family history on the Canterbury Plains.
Perfect Pitch
An encampment by an inlet casually inhabits land at Tawharanui.