How Dear Evan Hansen Has Gone Beyond the Stage to Impact Teen Suicide, Bullying, Mental Illness and Social Media.
Dear Evan Hansen began as a germ of an idea about the yearning for a connection with others; co-lyricist and writer Benj Pasek was considering the embellished ties his teenaged peers had to a suspected victim of suicide. Pasek went on to explore the idea of connecting with a tragedy further alongside writing partner, Westport’s Justin Paul, during their college years, and before long the pieces of the story began to come together. Skip ahead to more than a decade later, and the Tony Award-winning musical is transcending the stage as it breaks a proverbial fifth wall. After all, Dear Evan Hansen doesn’t end when the curtain drops, nor does the show simply reach beyond the stage to its audience; an integral aspect of this production has always been its outreach, which producer Stacey Mindich admits has far exceeded the DEH team’s expectations.
Laying the Foundation
Ben Platt plays the title character in the show about an isolated, lonely teenager who unintentionally becomes a social media sensation and a representation of the compassion that is lacking in most high school students. DEH centers on themes of teen suicide, bullying, mental illness and social media, amongst others, which led Mindich to consider how the show needed to offer supportive outlets for people who were experiencing similar problems. “From very early on, I didn’t feel that it was right to put on a performance of this show without some resource in the program that said, ‘Here’s where you can call to talk about it some more,’” she recalls.
この記事は Central Park West Magazine の Issue 61 版に掲載されています。
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この記事は Central Park West Magazine の Issue 61 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
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