In the effervescent world of champagne, some names have become so synonymous with luxury—thank you very much, Jay-Z—that one might wonder just what is so special about the grapes that go into the likes of Cristal, Dom Pérignon or Salon. Is each grape polished by hand; each vine watered only with Evian?
In fact, in the somewhat unusual ecosystem of the region of Champagne, the origin of most grapes is not really as proprietary as you might think (through Cristal is an exception). In fact, the big “houses”, or maisons or négociants if you prefer, are actually supported by a network of co-operatives and individual grape growers who, in some cases, might also make wines of their own. These belong to a category known as “grower estates”, a term that may not be well known, but one that’s worth learning about in order to recognise bottles that are actually produced by the same hands that tilled the soil.
For roughly two-and-a-half centuries, growers produced very little wine and Champagne houses grew very few grapes, a relationship that was largely symbiotic. Historically, most growers lacked the capital to invest in production and marketing, while the houses had capital, experience and relationships.
This began to shift in the mid20th century when more growers established their own estates. Officially known as Récoltant manipulant (identifiable by the letters RM on a label), these growers make champagne from grapes exclusively sourced from proprietary vineyards and facilities.
この記事は Tatler Hong Kong の November 2020 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
すでに購読者です ? サインイン
この記事は Tatler Hong Kong の November 2020 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
すでに購読者です? サインイン
THE LAST WORD
Every issue, we ask our cover star a round of quickfire questions that give us a little more insight into their personalities. This month: Gulf Kanawut lays it bare
WOMEN AT THE WICKET
Asia's women's cricket teams from outside the Indian subcontinent have been rapidly rising up through the ranks, creating opportunities, breaking barriers and changing the game as they go
TIME TURNER
A 2024 Turner Prize nominee, British Filipino artist Pio Abad talks to Tatler about carrying on family legacy, unearthing historical connections and why the Philippines is always at the core of his work
ROYAL RICHES
Ahead of the opening of Prince and the Peacock, Black Sheep Restaurants' latest establishment, Tatler joins the hospitality group on a culinary pilgrimage to India
MAKING HER POINT
Foil fencer Daphne Chan is happy to see the rising interest in her sport since Cheung Ka-long's historic win, and is headed to the Games with impressive wins behind her. But she's not allowing the pressure to get to her, and is most excited about who she might meet in Paris
IN IT TO WIN IT
Hong Kong freestyle swimmer Ian Ho, whose Instagram handle @Amphlb_ian playfully alludes to his aquatic prowess, competed at the 2020 Summer Olympics in Tokyo and won silver in the men's 50 metres freestyle at the 2023 Asian Games in Hangzhou. This month, he will represent Hong Kong at the Paris Olympics. He talks to Tatler about making Hong Kong proud, life as a student and professional athlete-and why relaxing is the way forward
UNFINISHED BUSINESS
Two-time Olympic swimmer Camille Cheng thought Tokyo 2020 would be her last Games, but competing in Paris was too big a draw for the French Chinese athlete
INTRIGUE AND INTRICACIES
Parisian artist Ugo Gattoni takes us through his elaborately designed poster for the Olympics and Paralympics in his home city this month
Crafting a New Legacy
Nicholas Lieou, creative director of high jewellery at Chow Tai Fook Jewellery Group, is reimagining jewellery, as the brand celebrates its 95th anniversary
A Lasting Legacy
Tatler explores Cartier's latest Watches and Wonders novelties with the maison's image, style and heritage director, who explains how the luxury house continues to create designs that are relevant today, yet rooted in legacy