“I WAS LIKE A FIGHTER TRAINING FOR THE FIGHT, which is being in the studio,” John 5 says about the mental and physical preparation for Season of the Witch, his ninth solo instrumental album containing arguably some of the most complex, challenging and madly creative licks the Telecaster devotee has ever conjured. “It would be about three weeks of complete and utter training for hours and hours every day of just one song. I would get these complicated songs down so well and I would know every single part and every harmony, then go into the studio and knock a song out in about two hours.” Supported by his band the Creatures on bass and drums—Ian Ross and Rodger Carter, respectively—the guitarist rolled out one song and an accompanying video each month over the course of half-a-year in an attempt to stay in lockstep with the new digital streaming paradigm of not only listening to music but watching it on sites like YouTube. Produced by John 5 and recorded at Carter’s own Doghouse Studio in Woodland Hills, California, Season of the Witch is a strange and sprawling tableau of guitar techniques ranging from bass-styled slapping on “Here’s to the Crazy Ones,” artful and exotic string bending on “Behind the Nut Love” and some of the sickest and most startling country picking you’ve ever heard on songs like “Hell Haw” and “Black Grass Plague.”
What was the preproduction process like prior to entering the studio?
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Kittie - Guitarists Morgan Lander and Tara Mcleod discuss the canadian metal powerhouse's unexpected rebirth â by fire!
Guitarists Morgan Lander and Tara McLeod explain that making new music was ânot on their bingo cardâ when the band regrouped in 2022 for a few festival appearances, preferring to think of the sets as more of a âfinal lapâ than a new beginning. But drilling into old favorites â whether the nu-flavored teenage slams of 1999âs Spit or the more venomously groove-thrashed tunes of their late-â00s period â revealed that despite not having raged together in years, there was something undeniably special about Kittieâs musical connection. âPlaying with these girls is like putting on an old pair of pants,â Lander says. âItâs very comfortable â and it looks good too.â
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Nashville-based blues rocker McKinley James came flying out of the gate in 2022 with his Dan Auerbachproduced EP, Still Standing By. His momentum screeched to a halt, however, when his keyboardist split, leaving only him and his drummer, Jason Smay (who also happens to be his father). âFor a moment, I was like, âWhat are we going to do?â James says. âBut then I thought, âWell, other bands have succeeded as a duo. Maybe we can, too.â
TC Electronic TC 2290P Dynamic Digital Delay
THE MID EIGHTIES was a golden age for digital delay, thanks to the proliferation of pro- and studio-quality rack effects units from Eventide, Korg, Lexicon, Roland and Yamaha.
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WHEN I THINK back to the Seventies, the famously coined âMeâ decade, it seems the only surefire way you could leave audiences awestruck was to strap on a doubleneck guitar.
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PAT TRAVERS
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The iconic guitarist looks back on Aerosmith in the Seventies, the decade that literally made and temporarily broke apart those Bad Boys from Boston
