Lana Del Rey had not felt enthusiastic for more than a decade. Her career wasn’t animating her like it used to. Everything felt like an endurance test. This went on for a terribly long time, she says, but it’s over now. It ended three months ago, actually. She and her younger brother Charles, with whom she is highly energetically in tune, went to a mall in the Valley with their sister Caroline’s baby. It was a slow day of total serenity. They breezed through the aisles with their face masks on, invisible to people. After they pulled out of the parking area in separate vehicles, Charles called her and said, “Do you feel like something’s different?” And Lana Del Rey took an emotional and metaphysical reading of her atmosphere and said, “That’s so funny. I really, really do.”
There was no obvious logic to why this change occurred. “That’s the funniest thing about life,” she tells me in her breathy Old Hollywood voice, sitting on an outdoor sofa in a backyard in Los Angeles. “You can pray and pray and pray to feel unburdened, but for no explanation for why and when, all of a sudden everything lifts.”
Del Rey’s persistent lack of excitement began with the scathing critical reception of her 2012 debut album, Born to Die. Despite its hit status with the public and immediate cult relevance to fans, the hip-hop-inspired orchestral pop album was initially misassessed by music journalists and bloggers.
この記事は Rolling Stone UK の April/May 2023 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
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この記事は Rolling Stone UK の April/May 2023 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
すでに購読者です? サインイン
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