MARTHA High vividly recalls the night James Brown dropped by, sometime in 1965. She and her all-girl R&B group, The Jewels, had just performed at the Howard Theatre in Washington DC when there was a knock at the dressing room door. “We asked who it was and he went, ‘It’s me, James Brown – how y’all doin’?’” says High, doing an uncannily gruff approximation of Brown’s voice. “We were all speechless. He came in, started checking his hair in the mirror and told us how much he’d enjoyed our show. Four months later, at the Apollo Theatre in Harlem, he turned up again and said he wanted us to join his live revue. From then on it was amazing.”
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Kim Gordon: La Ghosts & Flowers
As KIM GORDON prepares to release No Home Record â her brilliant debut solo album â she takes stock of her consistently adventurous career so far. To discuss: her early days in New Yorkâs Downtown, cooking with Neil Young and the perils of gentrification. âLife is unexpected,â she tells Tom Pinnock
Tinariwen: Even Nomads Get The Blues
A lot has changed for TINARIWEN since they became superstars of desert rockânâroll. But their Saharan homeland remains as troubled as ever. We track the band down in Morocco, where Michael Bonner hears tales of exile, insurgency and belonging. âAs long as people are oppressed, there will be room for protest music,â they explain
Angel Olsen: Her Bright Materials
Welcome to Asheville, North Carolina, where ANGEL OLSEN is poised to release her new album, All Mirrors. Erin Osmon joins the singer-songwriter at home to discuss heartbreak, fantasy property deals and her latest bold pop experiment. âSometimes your dreams are not what they seem,â she says
âI Was Insatiable!â
From a back garden in Epsom to the stage of the O2 â via Bombay, New York, Marrakesh and Beijing â join us as JIMMY PAGE guides us through 60 yearsâ worth of his marvellous adventures. CliffRichard! Exorcisms! âA cauldron of inspirationâ! There are road trips with The Yardbirds, magical recording sessions at Headley Grange, his ongoing relationship with Robert Plant and the vast musical legacy of Led Zeppelin to consider. âI was dealt a very good hand,â Page tells Michael Odell. âAnd I like to think I played it well.â
'I Was Pretty Bad At Being A Pop Star'
Riding high on the back of Bon Iverâs endorsement and his finest album in years, the piano master discusses the Grateful Dead, Bob Dylan, cryogenics and appearing in âsome of the worst videos ever madeâ
The Go-Betweens - G Stands For Go-Betweens: Volume 2 â 1985â1989 Domino
Australian indie ambassadorsâ golden age showcased in opulent style.
It's Too Late To Stop Now
Has VAN MORRISON mellowed at last? After yet another remarkable period in his ongoing creative renaissance, the Celtic soul warrior is on good form as he talks R&B, transcendence and mythical bootlegs with Graeme Thomson. âI didnât know what the hell I was doing for quite a while,â he reveals
Robert Plant - Digging Deep
ESPARANZA 7/10 Percy on 45! A boxset of 7âs traces Plantâs post-Zep progress. By Michael Bonner
Leonard Cohen - Thanks For The Dance
The poetâs intimate musical postscript.
'I'll Tell You The Full StoryâŠ'
During the past 12 months, a series of lavish boxsets have tracked DAVID BOWIEâs early development throughout 1968 and 1969. As this comprehensive archeological survey concludes with Conversation Piece, long-serving producer TONY VISCONTI relives the highs and lows of Bowieâs breakthrough. There are ham sandwiches, Marc Bolan impressions, the peerless âSpace Oddityâ, and tearful studio interludes⊠but, most importantly, we learn how the music made during this brief but pivotal period critically influenced one superstar in the making: David Bowie himselfâŠ