In his hunt for the ideal drum monitoring system, Scott Holder tries out the new Simmons DA350.
SIMMONS IS GOING old school with the recent release of the DA350 e-drum monitor system. It will immediately remind you of Roland’s old PM-30 or Yamaha’s MS-100DR edrum monitors with its cabinet/two-satellites configuration. It now joins KAT’s HD400 as the only widely available 2.1 e-drum monitor.
One note: with the release of the DA350, Simmons no longer labels the DA50/200S cabinets as “monitors”; now they’re a “practice & rehearsal amp” and “power performance amp”, respectively. I reviewed the DA350 side by side with the DA200S with an eye toward its performance as a monitor as well as a portable PA. The issue, as always with systems like these, is bass response and depth of sound.
The outside
The DA350 consists of a powered subwoofer/controller cabinet and two passive satellite speakers along with tripod pole stands. The satellites have audio/power contacts built into the bottom of each speaker. You can connect them directly to the sub/amp box by sliding them into the corresponding contact; Simmons calls this the “compact mono setup” or as I put it, “Look Ma, no wires!”.
If you attach the two satellites via a pole, they require a single standard, unbalanced (mono) ¼” cable to connect to the sub/amp in “standard mono setup”.
If using it in a stereo set-up, the satellites connect via a standard, unbalanced (mono) ¼” cable the way you would expect.
Inputs are on the upper, rear-facing section of the sub/amp and consist of two sets of ¼’ L/R pairs and a separate RCA or 1⁄8” TRS connection. The latter can also be switched to Bluetooth as you can pair such a device with the sub/amp. L/R ¼” outputs to something powered like a mixer or additional speakers round out the section.
この記事は digitalDrummer の August 2017 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
すでに購読者です ? サインイン
この記事は digitalDrummer の August 2017 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
すでに購読者です? サインイン
Where There's A Will
Living Colour drummer Will Calhoun has been widely recognised with accolades like the Buddy Rich Jazz Masters Award to top ratings from major drumming and music publications. This drummers’ drummer embraces electronics as he continues to broaden his musical horizons. He spoke to digitalDrummer editor Allan Leibowitz on a recent tour Down Under.
Feel The Beat
In search of a drummer-friendly metronome, Allan Leibowitz gets a feel for a new innovation.
My Monster Kit
Bobby James from Vancouver, BC, Canada has combined e-drums and DJ gear into his monster kit.
Simmons Pulls The Trigger
There are plenty of options for external triggers, and now there’s one more. digitalDrummer looks at the new Simmons ST1.
Head 2 Head - The Third Wave
digitalDrummer continues to put mesh heads under the microscope in our ongoing quest for the quietest, best-feeling playing surface. This month, we add four more tests to our growing catalogue.
To Midi Or Not
Is MIDI drumming still drumming, or is it removed from the art and skill of percussion? This is something Bill McCarthy has been pondering.
10 Things To Love About SD3
Last month’s release of Superior Drummer 3 may be a bit overdue, but was certainly worth the wait. Here are some of the features which make this VST offering a new benchmark.
A Bad Case Of Loving E-drums
digitalDrummer’s first edition back in 2010 detailed a case of GAS (Gear Acquisition Syndrome). That was nothing compared to Anthony Nalli’s affliction.
The 'Original' Simmons Returns
Simmons is back again, with a new kit and a new direction.
Advanced Trigger Variants
ATV’s long-awaited pad, cymbal and hardware pack is now shipping, giving the fledgling e-drum company a complete offering. Allan Leibowitz tested the aDrums artist kit.