Multiple agitations show all’s not well with the ‘rich’ state of Maharashtra.
COME August, and there’ll be one more—a massive, silent rally in Mumbai’s Azad Maidan, the 58th running under that banner. Through the second half of 2016 and spilling over, lakhs of young boys and girls have marched silently with placards in their hands, dressed in black, all over Maharashtra. The Maratha Kranti Morcha protests had three demands: justice in the barbaric Kopardi rape case (where, in an inversion of usual narratives, the guilty were Dalits and the victim was a minor Maratha girl); reservations for Marathas; and abolition of the SC/ST Atrocities Act. Today, all three are live, hot-button themes. But more than that, the whole phenomenon taps into something more: a raw, deep anger, a disquiet.
Anyone would have noticed: it’s been an unusually rich harvest of agitations for Maharashtra of late. Anger seems to be growing in abundance in those parched fields. Frequent protests, of all shapes and sizes, have become the norm—alm ost as if, together, they manifest some collective deficit in the lives of people. Count the numerous Maratha morchas, the sangharsha yatra of farmers, Dalit protests opposing violence at Bhima Koregaon, protests after the Elphinstone Road railway tragedy, protests by railway apprentice and MPSC aspirants, by ang anwadi workers, by students at the Tata Institute of Social Sciences (TISS), and now the latest, the Kisan Long March that caught the nation’s eyes. It’s striking how they sometimes overlap, sometimes compete, and always seem to straddle economics and politics—how unmet promises on the MSP, for instance, may fuel an assertion of caste identity.
ãã®èšäºã¯ Outlook ã® April 09, 2018 çã«æ²èŒãããŠããŸãã
7 æ¥éã® Magzter GOLD ç¡æãã©ã€ã¢ã«ãéå§ããŠãäœåãã®å³éžããããã¬ãã¢ã ã¹ããŒãªãŒã9,000 以äžã®éèªãæ°èã«ã¢ã¯ã»ã¹ããŠãã ããã
ãã§ã«è³Œèªè ã§ã ?  ãµã€ã³ã€ã³
ãã®èšäºã¯ Outlook ã® April 09, 2018 çã«æ²èŒãããŠããŸãã
7 æ¥éã® Magzter GOLD ç¡æãã©ã€ã¢ã«ãéå§ããŠãäœåãã®å³éžããããã¬ãã¢ã ã¹ããŒãªãŒã9,000 以äžã®éèªãæ°èã«ã¢ã¯ã»ã¹ããŠãã ããã
ãã§ã«è³Œèªè ã§ã? ãµã€ã³ã€ã³
Layers Of Lear
Director Rajat Kapoor and actor Vinay Pathak's ode to Shakespeare is an experience to behold
Loss and Longing
Memories can be painful, but they also make life more meaningful
Suprabhatham Sub Judice
M.S. Subbulakshmi decided the fate of her memorials a long time ago
Fortress of Desire
A performance titled 'A Streetcart Named Desire', featuring Indian and international artists and performers, explored different desires through an unusual act on a full moon night at the Gwalior Fort
Of Hope and Hopelessness
The body appears as light in Payal Kapadia's film
Ruptured Lives
A visit to Bangladesh in 2010 shaped the author's novel, a sensitively sketched tale of migrants' struggles
The Big Book
The Big Book of Odia Literature is a groundbreaking work that provides readers with a comprehensive introduction to the rich and varied literary traditions of Odisha
How to Refuse the Generous Thief
The poet uses all the available arsenal in English to write the most anti-colonial poetry
The Freedom Compartment
#traindiaries is a photo journal shot in the ladies coaches of Mumbai locals. It explores how women engage and familiarise themselves with spaces by building relationships with complete strangers
Love, Up in the Clouds
Manikbabur Megh is an unusual love story about a man falling for a cloud. Amborish Roychoudhury discusses the process of Manikbabu's creation with actor Chandan Sen and director Abhinandan Banerjee