In taking down triple talaq, the Supreme Court has set Muslim women free from constant fear and also reinforced the constitutional force of personal law
THROUGH its historic ruling delivered by a five-judge bench, the Supreme Court liberated Muslim women from the perpetual fear of arbitrary and whimsical divorce. That it is a carefully crafted and delicately balanced judgement is evident by the fact that though the issue was extremely contentious, the warring fractions situated across the divide have hailed it as a balanced judgement. It was not easy to please all parties—individual Muslim women, Muslim women’s groups, experts of Islamic law, the government, political parties of different hues and the religious clerics. It allows everyone to cherry-pick from the verdict as per their ideological moorings.
The judgement is poised between two constitutional guarantees—women’s rights against arbitrary and instant triple talaq, on the one end, and the fundamental rights of minorities guaranteed by Articles 25 and 26 of the Constitution of India, on the other. It has steered clear of the binaries of majority versus minority, gender versus community and uniform civil code versus reform from within, focusing only on the issue that was fra med—whether instant triple talaq (talaq-ebiddat) forms the core of Islamic religious belief and practice in India, and whether it can be struck down by our courts. The three different verdicts, with three different focal points, form a kaleidoscope of patterns that can be mixed and matched to bring out different ‘majority’ opinions.
It was obvious that arbitrary triple talaq had to go. No one was going to declare it the most desirable mode of dissolving a Muslim marriage. What was under contest was the most appropriate manner in which it could be done—through legislature, the courts or the religious leadership. On this critical issue, the verdict split.
ãã®èšäºã¯ Outlook ã® September 04, 2017 çã«æ²èŒãããŠããŸãã
7 æ¥éã® Magzter GOLD ç¡æãã©ã€ã¢ã«ãéå§ããŠãäœåãã®å³éžããããã¬ãã¢ã ã¹ããŒãªãŒã9,000 以äžã®éèªãæ°èã«ã¢ã¯ã»ã¹ããŠãã ããã
ãã§ã«è³Œèªè ã§ã ?  ãµã€ã³ã€ã³
ãã®èšäºã¯ Outlook ã® September 04, 2017 çã«æ²èŒãããŠããŸãã
7 æ¥éã® Magzter GOLD ç¡æãã©ã€ã¢ã«ãéå§ããŠãäœåãã®å³éžããããã¬ãã¢ã ã¹ããŒãªãŒã9,000 以äžã®éèªãæ°èã«ã¢ã¯ã»ã¹ããŠãã ããã
ãã§ã«è³Œèªè ã§ã? ãµã€ã³ã€ã³
Layers Of Lear
Director Rajat Kapoor and actor Vinay Pathak's ode to Shakespeare is an experience to behold
Loss and Longing
Memories can be painful, but they also make life more meaningful
Suprabhatham Sub Judice
M.S. Subbulakshmi decided the fate of her memorials a long time ago
Fortress of Desire
A performance titled 'A Streetcart Named Desire', featuring Indian and international artists and performers, explored different desires through an unusual act on a full moon night at the Gwalior Fort
Of Hope and Hopelessness
The body appears as light in Payal Kapadia's film
Ruptured Lives
A visit to Bangladesh in 2010 shaped the author's novel, a sensitively sketched tale of migrants' struggles
The Big Book
The Big Book of Odia Literature is a groundbreaking work that provides readers with a comprehensive introduction to the rich and varied literary traditions of Odisha
How to Refuse the Generous Thief
The poet uses all the available arsenal in English to write the most anti-colonial poetry
The Freedom Compartment
#traindiaries is a photo journal shot in the ladies coaches of Mumbai locals. It explores how women engage and familiarise themselves with spaces by building relationships with complete strangers
Love, Up in the Clouds
Manikbabur Megh is an unusual love story about a man falling for a cloud. Amborish Roychoudhury discusses the process of Manikbabu's creation with actor Chandan Sen and director Abhinandan Banerjee