ONE sophisticated gentleman accosted me by name at a party in Delhi, as he had seen my picture in a newspaper or magazine. I had recently published my third novel, Filming: A Love Story, to some critical acclaim. He was obviously the kind of person who followed talk of literature and culture. He knew that before moving to Denmark, where I was then (and now) an academic, I had worked for the Times of India in Delhi. He asked me when I had graduated from JNU (Jawaharlal Nehru University), perhaps influenced by the slant of some of my writing. “I never went to JNU,” I replied.
“Ah,” he exclaimed, “You are a Delhi University alumnus!” “No,” I replied, politely, “Didn’t go to DU either.”
There was a moment of hesitation, and then the gentleman, almost despite him self, offered a third alternative, this time probably influenced by my name: “Jamia?”
I had an almost identical conversation with a sophisticated lady at the Jaipur Literature Festival a bit later. I think that was after the publication of The Thing About Thugs. In both the cases, my interlocutors could obviously not imagine that I had finished my schooling, Inter, BA and MA from my hometown, Gaya, in Bihar.
Because that is the kind of reputation Bihar has over the rest of the country: it is a state people leave for education and car eeropportunities. Some of the reputation is justified; some is not. However, what is not justified is the kind of fun that may be poked at Biharis in other parts of India, especially in the tonesetting metropolitan regions of Delhi and Mumbai.
ãã®èšäºã¯ Outlook ã® August 24, 2020 çã«æ²èŒãããŠããŸãã
7 æ¥éã® Magzter GOLD ç¡æãã©ã€ã¢ã«ãéå§ããŠãäœåãã®å³éžããããã¬ãã¢ã ã¹ããŒãªãŒã9,000 以äžã®éèªãæ°èã«ã¢ã¯ã»ã¹ããŠãã ããã
ãã§ã«è³Œèªè ã§ã ?  ãµã€ã³ã€ã³
ãã®èšäºã¯ Outlook ã® August 24, 2020 çã«æ²èŒãããŠããŸãã
7 æ¥éã® Magzter GOLD ç¡æãã©ã€ã¢ã«ãéå§ããŠãäœåãã®å³éžããããã¬ãã¢ã ã¹ããŒãªãŒã9,000 以äžã®éèªãæ°èã«ã¢ã¯ã»ã¹ããŠãã ããã
ãã§ã«è³Œèªè ã§ã? ãµã€ã³ã€ã³
Layers Of Lear
Director Rajat Kapoor and actor Vinay Pathak's ode to Shakespeare is an experience to behold
Loss and Longing
Memories can be painful, but they also make life more meaningful
Suprabhatham Sub Judice
M.S. Subbulakshmi decided the fate of her memorials a long time ago
Fortress of Desire
A performance titled 'A Streetcart Named Desire', featuring Indian and international artists and performers, explored different desires through an unusual act on a full moon night at the Gwalior Fort
Of Hope and Hopelessness
The body appears as light in Payal Kapadia's film
Ruptured Lives
A visit to Bangladesh in 2010 shaped the author's novel, a sensitively sketched tale of migrants' struggles
The Big Book
The Big Book of Odia Literature is a groundbreaking work that provides readers with a comprehensive introduction to the rich and varied literary traditions of Odisha
How to Refuse the Generous Thief
The poet uses all the available arsenal in English to write the most anti-colonial poetry
The Freedom Compartment
#traindiaries is a photo journal shot in the ladies coaches of Mumbai locals. It explores how women engage and familiarise themselves with spaces by building relationships with complete strangers
Love, Up in the Clouds
Manikbabur Megh is an unusual love story about a man falling for a cloud. Amborish Roychoudhury discusses the process of Manikbabu's creation with actor Chandan Sen and director Abhinandan Banerjee