Hunger, Bloodthirst, Murder
Outlook|March 12, 2018

An adivasi’s lynching sparks an artistic outpouring that only discomfits activists

Hunger, Bloodthirst, Murder
 “FEED Madhu’s starving family.” That’s the eye of a socio-political storm which has been ravaging Kerala since a mob in Attappadi lynched a 27-year-old tribal youth, allegedly for having stolen a few handfuls of rice and coriander powder. The opposition has been quick to castigate the ruling Left Democratic Front (LDF) for its failure to lift victim A. Madhu’s community out of abject poverty and protect them from exploitation, while the government rejected the charges, framing the tragedy purely in terms of mob violence and the victim’s unique vulnerability. There is the soc­ial plane, with a legion of artists having taken to pen, easel and ins­trument to pay their own tribute to Madhu, only for some who are closer to the iss­ues to dismiss them as pri­vileged armchair activists looking to salve their own consciences. And ­finally, there is the need to examine the ­psychology of mob violence aga­inst the marginalised—an increasin­gly worrying trend in the state.

“What an amazing variety of attempts to establish that Attappadi and Kerala are Somalia, using social, print and visual media,” exclaims M.B. Rajesh, the CPI(M) MP for Palakkad—the constituency which contains Attappadi—in a Facebook post. Decrying the clamour to “feed Madhu’s starving family” as a manufactured rallying cry for the Sangh Parivar to take advantage of Madhu’s death, he, after a visit to the bereaved family in their hamlet of Kadukumanna, describes them as reasonably well-off. When it comes to Madhu ­himself, Rajesh explains his murder as the climax of an avoidable, individual tragedy.

この記事は Outlook の March 12, 2018 版に掲載されています。

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この記事は Outlook の March 12, 2018 版に掲載されています。

7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。

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