They collapsed the boundaries between mainstream entertainers and meaningful cinema much earlier in the day and, released at crucial post-lib junctures, came to almost define a 21st century national cinema—passing muster with the masses and the classes alike. Just four films—Munna Bhai MBBS (2003), Lage Raho Munna Bhai (2006), 3 Idiots (2009) and PK (2014)—make Nagpur-born director Rajkumar Hirani one of the finest filmmakers of his generation. The 55-year-old auteur is now ready with his next, Sanju, a biopic depicting the turbulent life of Bollywood’s enfant terrible, Sanjay Dutt. With Ranbir Kapoor in the lead, the film, due for release on June 29, may well be the master filmmaker’s litmus test, as he has made a foray into the unfamiliar and dicey terrain of biopics with a movie on the life of somebody he has known professionally and personally for years. In conversation with Giridhar Jha, Hirani spells out the reasons behind making the biopic, dismissing the charge that he has made it to glorify his actor-friend, known for his chequered life and career. Excerpts from the interview:
You have delivered four blockbusters on the trot. With that kind of resume, I presume there should be no reason for butterflies in the belly ahead of the next release. Far from it, I get butterflies with every release.
I remember—Boman Irani still jokes about it—how I had called him a week after the release of 3 Idiots, asking him if the film was really working at the box office, or was it just because of Aamir Khan that people were flocking to the theatres.
So yes, I do get nervous before a release. The only time you do not get nervous is when you are making your first film. At that time, just the joy of making a movie is so high that you do not care; you are happy to have finally made it. It is only later that you want your film to be seen and appreciated by people. So there’s some amount of nervousness even now, but I am feeling happy and upbeat that I have made a different kind of movie. I am eagerly waiting for people to react to it.
Making this movie in particular must have been very challenging, if not scary. A biopic is expected to be an objective and dispassionate account of someone’s life. And you have dared to make a movie on someone with whom you have had a long association, both personal and professional. Weren’t you apprehensive that you might end up making a hagiographic film meant to glorify Sanjay Dutt?
There is no reason for us to make a movie to glorify Sanjay Dutt. We are in a pretty good space, and we can make any film we want to. I could have chosen to make the next edition of the Munna Bhai series instead of Sanju. Even if it were a bad Munna Bhai, people would still go and watch it initially. The only reason I have made this film is that I found it to be a very compelling story. I discovered the many sides of it which people did not know.
ãã®èšäºã¯ Outlook ã® May 28, 2018 çã«æ²èŒãããŠããŸãã
7 æ¥éã® Magzter GOLD ç¡æãã©ã€ã¢ã«ãéå§ããŠãäœåãã®å³éžããããã¬ãã¢ã ã¹ããŒãªãŒã9,000 以äžã®éèªãæ°èã«ã¢ã¯ã»ã¹ããŠãã ããã
ãã§ã«è³Œèªè ã§ã ?  ãµã€ã³ã€ã³
ãã®èšäºã¯ Outlook ã® May 28, 2018 çã«æ²èŒãããŠããŸãã
7 æ¥éã® Magzter GOLD ç¡æãã©ã€ã¢ã«ãéå§ããŠãäœåãã®å³éžããããã¬ãã¢ã ã¹ããŒãªãŒã9,000 以äžã®éèªãæ°èã«ã¢ã¯ã»ã¹ããŠãã ããã
ãã§ã«è³Œèªè ã§ã? ãµã€ã³ã€ã³
Wah, Taj
Armed with the steely spirit of Tajnessâ, the staff members at Taj Hotel in Mumbai put themselves in the line of fire to save the lives of the guests on 26/11
Exciting Breakthroughs in Breast Cancer Treatment
In this interview, Dr. Kanchan Kaur discusses advancements in Indian healthcare, the rise of women in medicine, and critical insights on breast cancer treatment and awareness
Ratan, Ta-ta
Many in the Indian industry think they have lost a moral compass in the passing of Tata
Plutarch's Mine of Poetry
Poet, writer and former IPS officer Keki N. Daruwalla has left behind a towering literary legacy
The Memory Keeper
Much of Han Kang's fiction traces the impact of the violence inflicted on ordinary lives by authoritarians and the burden of historical traumas
A Ploy for Self-Coronation
The ONOE proposal to synchronise elections puts the dynamic democratic process at risk
Time to Abrogate Bitterness
The National Conference's win in the recent assembly elections is a mandate for transformation, not celebration
'We Lose Our House Every Day'
With nearly one in every 100 people in India living under the threat of eviction, the weight of anxiety, fear and confusion has become an inescapable reality
THE PROMISE OF INDIAN MANAGEMENT EDUCATION IN CONTEMPORARY TIMES
The question of whether âpolitics informs economicsâ or vice-versa has been looming large for decades now, but has hardly been as prominent and critical as today.
SHAPING TOMORROW'S LEADERS
The Power, Challenges, and Future of Business Schools in India and Beyond