The Lord lies submerged for 40 years. Arisen now, he’s a crowd favourite.
It was a homecoming without any parallel. After spending 40 years underwater, a deity is pulled out for public viewing for a limited period of 48 days. A few thousand devotees are expected for its ‘darshan’. Instead, at least a lakh turn up every day and in multiples of that during weekends. In the process, the silk town of Kanchipuram, 80 km from Chennai, is overflowing with humanity—all of them devotees of Lord Aththi Varadhar.
Made from the wood of Aththi (fig tree), the six-foot idol is immersed underwater in a small tank within the large temple tank of the Varadaraja Perumal Swamy temple and is brought out once in four decades. According to a stone inscription, the present idol, which is 487 years old, had replaced an earlier one. But the tradition of its being immersed for 40 years, except for the brief period of 48 days, before returning to the temple tank, has been in vogue for a few centuries, say scholars. “The popular belief is that the idol was hidden in the tank to escape Muslim raiders from north during the 17th century. In that case, it should have been restored in the sanctum sanctorum after the threat disappeared. More logically, the wooden idol suffered some damage and could not be worshipped as per the Agama Shastras and was replaced by a stone idol,” explains M.A. Venkatakrishnan, retired HoD, department of Vaishnavite studies, University of Madras.
この記事は Outlook の August 19, 2019 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
すでに購読者です ? サインイン
この記事は Outlook の August 19, 2019 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
すでに購読者です? サインイン
Layers Of Lear
Director Rajat Kapoor and actor Vinay Pathak's ode to Shakespeare is an experience to behold
Loss and Longing
Memories can be painful, but they also make life more meaningful
Suprabhatham Sub Judice
M.S. Subbulakshmi decided the fate of her memorials a long time ago
Fortress of Desire
A performance titled 'A Streetcart Named Desire', featuring Indian and international artists and performers, explored different desires through an unusual act on a full moon night at the Gwalior Fort
Of Hope and Hopelessness
The body appears as light in Payal Kapadia's film
Ruptured Lives
A visit to Bangladesh in 2010 shaped the author's novel, a sensitively sketched tale of migrants' struggles
The Big Book
The Big Book of Odia Literature is a groundbreaking work that provides readers with a comprehensive introduction to the rich and varied literary traditions of Odisha
How to Refuse the Generous Thief
The poet uses all the available arsenal in English to write the most anti-colonial poetry
The Freedom Compartment
#traindiaries is a photo journal shot in the ladies coaches of Mumbai locals. It explores how women engage and familiarise themselves with spaces by building relationships with complete strangers
Love, Up in the Clouds
Manikbabur Megh is an unusual love story about a man falling for a cloud. Amborish Roychoudhury discusses the process of Manikbabu's creation with actor Chandan Sen and director Abhinandan Banerjee