By combining cuteness, nostalgia and Augmented Reality, Pokémon GO has taken over the world.
Finally, it’s a pleasant evening in Delhi after a summer that didn’t look like it would end. The rain has slowed to an agreeable drizzle; there is a cool breeze in the July air—india Gate hasn’t seen so many smiles in months. Anupriya Mathur, 26, saunters down Rajpath towards Rashtrapati Bhavan, with headphones on, peering into her smartphone. Dusk is creeping in and the crowd has thinned. Suddenly she tenses; she feels a presence near her.
The young graphic designer aims her phone camera at a bush under the jamun tree and spots her “stalker” sitting innocently on a bench next to a young couple. She flicks a ball on her phone’s screen in one clean swipe towards the “monster”, pumps her fist triumphantly. “Yay!”—Rattata is in her “pocket” as far as Anupriya is concerned. The couple, not surprisingly, can’t make head or tail of her pursuit.
Anupriya is playing Pokémon GO, an Augmented Reality (AR) game, developed by American software company Niantic, that has dragged geeks and freaks out of their dens and pyjamas. At last count, these were some 26 million users, from Minnesota to Melbourne, within two weeks of its launch in the US, Europe and Australia. The game has beaten Twitter and Tinder in app downloads. Its Japanese parent Nintendo’s market capital has doubled to $42 billion (approximately Rs 2,823,552,900,000) in seven days, making it more valuable than Sony. Apple alone is slated to make three billion dollars this year through downloads.
ãã®èšäºã¯ Outlook ã® August 1, 2016 çã«æ²èŒãããŠããŸãã
7 æ¥éã® Magzter GOLD ç¡æãã©ã€ã¢ã«ãéå§ããŠãäœåãã®å³éžããããã¬ãã¢ã ã¹ããŒãªãŒã9,000 以äžã®éèªãæ°èã«ã¢ã¯ã»ã¹ããŠãã ããã
ãã§ã«è³Œèªè ã§ã ?  ãµã€ã³ã€ã³
ãã®èšäºã¯ Outlook ã® August 1, 2016 çã«æ²èŒãããŠããŸãã
7 æ¥éã® Magzter GOLD ç¡æãã©ã€ã¢ã«ãéå§ããŠãäœåãã®å³éžããããã¬ãã¢ã ã¹ããŒãªãŒã9,000 以äžã®éèªãæ°èã«ã¢ã¯ã»ã¹ããŠãã ããã
ãã§ã«è³Œèªè ã§ã? ãµã€ã³ã€ã³
Layers Of Lear
Director Rajat Kapoor and actor Vinay Pathak's ode to Shakespeare is an experience to behold
Loss and Longing
Memories can be painful, but they also make life more meaningful
Suprabhatham Sub Judice
M.S. Subbulakshmi decided the fate of her memorials a long time ago
Fortress of Desire
A performance titled 'A Streetcart Named Desire', featuring Indian and international artists and performers, explored different desires through an unusual act on a full moon night at the Gwalior Fort
Of Hope and Hopelessness
The body appears as light in Payal Kapadia's film
Ruptured Lives
A visit to Bangladesh in 2010 shaped the author's novel, a sensitively sketched tale of migrants' struggles
The Big Book
The Big Book of Odia Literature is a groundbreaking work that provides readers with a comprehensive introduction to the rich and varied literary traditions of Odisha
How to Refuse the Generous Thief
The poet uses all the available arsenal in English to write the most anti-colonial poetry
The Freedom Compartment
#traindiaries is a photo journal shot in the ladies coaches of Mumbai locals. It explores how women engage and familiarise themselves with spaces by building relationships with complete strangers
Love, Up in the Clouds
Manikbabur Megh is an unusual love story about a man falling for a cloud. Amborish Roychoudhury discusses the process of Manikbabu's creation with actor Chandan Sen and director Abhinandan Banerjee