A tie-up with Congress would have yielded zilch, given the total absence of CPI(M) cadres in the Bengal countryside
A standard ritual marks Madhu Mallick’s start of day. At the crack of dawn, the 37-year-old lights the clay stove, boils milk with water and puts tea-leaves into it. That would ready the piping-hot brew for his morning customers who begin arriving at the shop. It’s an open brick-and-cement structure at the far end of his mud hut in the police district of Jangipara in south-central West Bengal. To be precise, on the side of the highway at the crossing of three villages: Mohanbati, Majhipara and Gayapara, in Hooghly district. There, Madhu’s Teashop, according its owner, “is a silent witness” to the political change that swept through the state when, seven years ago, the mighty Communists faced defeat after ruling the state uninterruptedly for three-and-a-half decades.
Jangipara was one of those famed political constituencies during these long 34 years. Not once did it elect someone outside of the Left. Be the election for the civic body, state assembly or the country’s Parliament, the winner was always from the CPI(M) or one of its political partners. “Yes, earlier these parts were dominated by the Communists,” nods Mallick in agreement.
The local leaders and party workers, who sat on the wooden benches outside his stall, drank tea and chatted—all of them belonged to the Red brigade. Then, as if overnight, on a muggy May day in 2011, as new chief minister Mamata Banerjee took oath in Calcutta, the entire area turned green: the colour of the now-ruling party, Trinamool Congress.
According to locals, since then, in these past seven years, anyone would be hard put to locate a single CPI(M) supporter, forget leader, cadre or worker.
ãã®èšäºã¯ Outlook ã® February 19, 2018 çã«æ²èŒãããŠããŸãã
7 æ¥éã® Magzter GOLD ç¡æãã©ã€ã¢ã«ãéå§ããŠãäœåãã®å³éžããããã¬ãã¢ã ã¹ããŒãªãŒã9,000 以äžã®éèªãæ°èã«ã¢ã¯ã»ã¹ããŠãã ããã
ãã§ã«è³Œèªè ã§ã ?  ãµã€ã³ã€ã³
ãã®èšäºã¯ Outlook ã® February 19, 2018 çã«æ²èŒãããŠããŸãã
7 æ¥éã® Magzter GOLD ç¡æãã©ã€ã¢ã«ãéå§ããŠãäœåãã®å³éžããããã¬ãã¢ã ã¹ããŒãªãŒã9,000 以äžã®éèªãæ°èã«ã¢ã¯ã»ã¹ããŠãã ããã
ãã§ã«è³Œèªè ã§ã? ãµã€ã³ã€ã³
Layers Of Lear
Director Rajat Kapoor and actor Vinay Pathak's ode to Shakespeare is an experience to behold
Loss and Longing
Memories can be painful, but they also make life more meaningful
Suprabhatham Sub Judice
M.S. Subbulakshmi decided the fate of her memorials a long time ago
Fortress of Desire
A performance titled 'A Streetcart Named Desire', featuring Indian and international artists and performers, explored different desires through an unusual act on a full moon night at the Gwalior Fort
Of Hope and Hopelessness
The body appears as light in Payal Kapadia's film
Ruptured Lives
A visit to Bangladesh in 2010 shaped the author's novel, a sensitively sketched tale of migrants' struggles
The Big Book
The Big Book of Odia Literature is a groundbreaking work that provides readers with a comprehensive introduction to the rich and varied literary traditions of Odisha
How to Refuse the Generous Thief
The poet uses all the available arsenal in English to write the most anti-colonial poetry
The Freedom Compartment
#traindiaries is a photo journal shot in the ladies coaches of Mumbai locals. It explores how women engage and familiarise themselves with spaces by building relationships with complete strangers
Love, Up in the Clouds
Manikbabur Megh is an unusual love story about a man falling for a cloud. Amborish Roychoudhury discusses the process of Manikbabu's creation with actor Chandan Sen and director Abhinandan Banerjee