Whatever trajectory the protests against the Citizenship (Amendment) Act take, the moment when Chandrashekhar Aazad, the leader of the Bhim Army, appeared on the steps of Delhi’s Jama Masjid after the Friday prayer on 20 December, holding up a copy of the Constitution with a picture of BR Ambedkar on the cover and surrounded by predominantly Muslim protesters chanting slogans against the CAA and the National Register of Citizens, will be a beacon across the ages. Several factors conspired to make the scene iconic: Aazad’s flamboyance, his elusion of police trying to prevent any large gathering, live television coverage with anchors sounding like commentators at a sporting triumph. But perhaps most significant was the display of the Constitution and its imagery in a space where we were not accustomed to seeing them: a space as deeply religious—as deeply Muslim—as the Jama Masjid.
The weeks since then have supplied many more moments of wonder. Consider the spectacle of the Hyderabad MP Asaduddin Owaisi leading a reading of the preamble to the Constitution, in Urdu and English, as a crowd of thousands waved copies of the document and the national flag. Or the mostly Muslim women of Shaheen Bagh, camped out in the open for over a month now in the coldest Delhi winter in decades to defend the Constitution. Or the Carnatic musician TM Krishna singing largely forgotten stanzas of the Tagore hymn from which the national anthem is extracted: “Ohoroho tobo aobhano pracharito/ Shuni tobo udaro bani/ Hindu Bouddho Shikh Jaino Paroshik/ Musholman Chrishtani”—Your call is announced continuously/ we heed your gracious call/ Hindus, Buddhists, Sikhs, Jains, Parsis/ Muslims, and Christians.
この記事は The Caravan の February 2020 版に掲載されています。
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この記事は The Caravan の February 2020 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
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