In 1972, Stephen Shore began a photographic road trip that lasted for little more than a year in total, but provided the material for his iconic American Surfaces project, which examined everyday American culture. Armed only with a 35mm Rollei camera, he created a visual diary of the places he’d been, the meals he’d eaten, the beds he’d slept in, and the people he’d met along the way.
Fast-forward 48 years from the start of Shore’s trip, and a newly updated version of his book American Surfaces has been published. It now includes an essay by writer and photographer Teju Cole, plus 40 images that didn’t appear in the original edition. We spoke to Stephen Shore to get under the skin of how he approached this project, and to discover the inside story of his artistic journey over a period of nearly 50 years…
What motivated you to start the American Surfaces project?
A number of things came together. The first was the idea of what I, at the time, thought of as a ‘natural photograph’. What I mean is you take a photograph that felt more like the experience of seeing rather than the experience of photographing, if that makes sense.
この記事は Digital Camera World の Spring 2020 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
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この記事は Digital Camera World の Spring 2020 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
すでに購読者です? サインイン
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