01 THE LADY AND THE MOON BY MARCO TAGLIARINO
Marco’s image ‘The Lady and the Moon’ takes the top spot in this month’s Minimalism photo contest. We loved the simplicity of the black and white conversion, the shapes and the striking silhouette of the dancer against a large white circular backdrop. It’s a brilliant capture that shows Marco’s masterful timing, perfect exposure and eye for a brilliant candid photo. Great job!
Lens Canon EF 70-200mm f/2.8L IS II USM
Exposure 1/60 sec, f/3.5, ISO800
02 EARLY MORNING COSMOS BY CHENH HONG
This is a lovely spring flower shot from Chenh who tells us a bit more about how he got the shot: “I took this at a flower exhibition in Taiwan. Each year they plant several acres of cosmos in the farmer’s field. I love to find just one flower standing out from a sea of colour like this one.”
Lens Canon EF 70-300mm f/4-5.6L IS USM
Exposure 1/1000 sec, f/5.6, ISO320
03 RESISTING THE TIDES OF TIME BY JAY BIRMINGHAM
The remains of the old pier at Swanage are a classic choice for photographer’s looking to get minimal and abstract seascapes. Jay’s done well to put his own spin on it and used Neutral Density filters to achieve a long exposure of 45 seconds, causing an eerie blur effect around the old pier posts.
Lens Canon EF 24-70mm f/4L IS USM
Exposure 45 secs, f/16, ISO100
04 DOUGHNUT BY ANASTASY YARMOLOVICH
この記事は PhotoPlus : The Canon Magazine の June 2020 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
すでに購読者です ? サインイン
この記事は PhotoPlus : The Canon Magazine の June 2020 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
すでに購読者です? サインイン
The Art of Copying Art - James Paterson shows you how to use your Canon gear to capture artwork and paintings the right way with simple camera and lighting skills
Whether you want to capture a painting like the above, digitise old prints or reproduce any kind of canvas, there's real skill in capturing artwork with your camera. Not only do you need the colours to be accurate, you also need to master the spread, angle and quality of the light to minimise glare and show the work at its best.This painting by the artist Bryan Hanlon has a wonderfully subtle colour palette. To reproduce the painting in print and digital form, it needs to be captured in the right way.
Fright night
Canon photographer and digital artist Alexander loves to craft incredible fantasy scenes with a spooky horror twist
Sharpen your shots with DPP
Sharpening a digital image also increases contrast at the edge of details
CANON ImagePrograf PRO-1100
Deeper blacks, better bronzing, greater lifespan and 5G Wi-Fi -Canon's new printer is full of new tech, says
Canon's new 'kit lens' is actually a half-price f/2.8 trinity lens!
The Canon RF 28-70mm F2.8 IS STM lacks a red ring, but borrows premium features from its L-series siblings
DREW GIBSON
Pro motorsports photographer Drew on why he hasn't (yet) switched to Canon's mirrorless system, why old-school techniques can be the most reliable, and the lessons learned from more than a decade shooting the world's biggest car brands
Up in smoke
Make a smoky shape in Affinity Photo and get to grips with the amazing Liquify Persona under the guidance of James Paterson
Expand your creativity with Generative Fill
Photoshop's Al-powered feature brings revolutionary new tools to image editing. James Paterson reveals all...
Turn your images into vintage postcards
Wish you were here? Sean McCormack explains how you can give your summer photographs a vintage postcard look
The Angel Malibu
Light painting an American movie producer in the Wadi Rum Desert in Jordan was a highly unlikely evening out for David!