“It's not so easy to find music right now, but we might get lucky,” says my guide, Mirvel Bravo, explaining that tight Covid-19 restrictions have hushed Havana, a city with a long and rich musical tradition. I'd come chasing its sounds — the Cuban capital is famous for the pedigree of its singers, institutions like the Buena Vista Social Club and a feeling that someone with a guitar or trumpet might appear at any moment. The pandemic had halted all of that, but while most venues are still closed when I visit, the situation seems to improve and grow noisier by the hour. From day to day, more bars and restaurants are reopening, and others, seeing their neighbours take a risk, are following suit. Bands are then hastily assembled and installed inside.
Sitting on the edge of the busy Plaza Vieja, La Vitrola - meaning The Jukebox' – was one of the first to reopen its doors and strike up the band. Mirvel and I take a seat at the back, but we can hardly hear each other talk as the noise of the bongo ricochets off the walls and the high trill of a cornet competes with a whirring ceiling fan. For the players, some performing with their eyes shut in an energetic rapture, the music looks as much an exorcism as it does a concert.
La Vitrola, like many places around Havana, is a tribute to another, more affluent time, one of starched collars and bow ties, of lavish neon signs and real Coca-Cola. Just when was it, this golden era? Mirvel suggests the 1950s, hesitantly. It strikes me that the bar's aesthetic might be reaching back to an artful reconstruction of the past — part saturated holiday postcard, part heavily edited nostalgia - largely for the benefit of travellers like me. But this much is clear: Havana's good old days belong to a period that may or may not have ever truly existed, but in any case exist no more.
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Annette Arjoon-Martins
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