How do you like your rich? Shrouded in a marshmallow mantle ready to be toasted, flamboyantly, alive? Or simply dressed, freshly caught and about to be bludgeoned with a rock? This past year a parade of ‘eat the rich’ films has served Anglo-American audiences a healthy selection of gastronomic styles through which to wreak revenge on money. While less literal than the class-inflected spectacles of actual cannibalism we saw in the era of The Texas Chainsaw Massacre (1974), the bloodthirsty attitudes of black comedies Triangle of Sadness (2022) and The Menu (2022) are still culinarily packaged and capital-critical in name.
Supply of this kind of cultural product would seem to follow current demand, at least on a superficial level. For weren’t the years of high pandemic a social-media feeding-frenzy for wealth-hating Gen Z? Weren’t influencers on the left and further-left staging threats to ‘vore’ the Forbes richlist and stab Jeff Bezos with forks? The haste with which producers served the people what they wanted has gifted us a flurry of fabulous scenes. Who wouldn’t delight, just a little, in witnessing the wealthy guzzled by those who have been eaten away by financial hardship? And yet, if we attend more closely to the influential burghers of TikTok, we will find this is not quite what they ordered.
この記事は ArtReview の September 2023 版に掲載されています。
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この記事は ArtReview の September 2023 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
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