The watch was a birthday gift from Yoko Ono, along with a tie she knit herself.
For years, John Lennon’s Patek Philippe 2499 has been the El Dorado of lost watches. Lennon was known for collecting expensive things: apartments in the Dakota (five); guitars (one apartment was mainly for musical equipment); country estates; jukeboxes (three); and Egyptian artifacts, including a gold-leafed sarcophagus containing a mummified princess, who Yoko Ono believed was a former self. But the Patek appears to have been his one and only wristwatch.
A gift from Ono, the watch is more than anyone would ever need to tell the time. A perpetual-calendar chronograph, it is, as Paul Boutros, the head of watches at the American arm of Phillips auction house, says, a “mechanical microcomputer, the most sought after of all Pateks.” Between 1952 and around 1985, Patek produced just three hundred and forty-nine of them. The watch, which Ono bought at Tiffany on Fifth Avenue, records time in eight different ways; the dial houses three apertures (day, month, moon phase) and three subdials (seconds, elapsed minutes, date). If you never memorized the mnemonic “thirty days hath September,” no worries—the 2499 Patek hath. Its miraculous ganglia of tiny wheels and levers will adjust its readings to the quirky imperfections of the Gregorian calendar, including leap years. No other watchmaker was able to produce a perpetual calendar chronograph movement small enough to fit into a wristwatch until 1985.
What makes this 2499 even rarer— and perhaps the most valuable wristwatch in existence—is how little we know about it. Ono gave it to her husband for his fortieth birthday, on October 9, 1980, two months before he was fatally shot by a deranged man outside the Dakota. For the next three decades, the existence of the watch remained unknown except to a handful of family and close friends.
ãã®èšäºã¯ The New Yorker ã® June 24, 2024 çã«æ²èŒãããŠããŸãã
7 æ¥éã® Magzter GOLD ç¡æãã©ã€ã¢ã«ãéå§ããŠãäœåãã®å³éžããããã¬ãã¢ã ã¹ããŒãªãŒã9,000 以äžã®éèªãæ°èã«ã¢ã¯ã»ã¹ããŠãã ããã
ãã§ã«è³Œèªè ã§ã ?  ãµã€ã³ã€ã³
ãã®èšäºã¯ The New Yorker ã® June 24, 2024 çã«æ²èŒãããŠããŸãã
7 æ¥éã® Magzter GOLD ç¡æãã©ã€ã¢ã«ãéå§ããŠãäœåãã®å³éžããããã¬ãã¢ã ã¹ããŒãªãŒã9,000 以äžã®éèªãæ°èã«ã¢ã¯ã»ã¹ããŠãã ããã
ãã§ã«è³Œèªè ã§ã? ãµã€ã³ã€ã³
GET IT TOGETHER
In the beginning was the mob, and the mob was bad. In Gibbonâs 1776 âDecline and Fall of the Roman Empire,â the Roman mob makes regular appearances, usually at the instigation of a demagogue, loudly demanding to be placated with free food and entertainment (âbread and circusesâ), and, though they donât get to rule, they sometimes get to choose who will.
GAINING CONTROL
The frenemies who fought to bring contraception to this country.
REBELS WITH A CAUSE
In the new FX/Hulu series âSay Nothing,â life as an armed revolutionary during the Troubles hasâat least at firstâan air of glamour.
AGAINST THE CURRENT
\"Give Me Carmelita Tropicana!,\" at Soho Rep, and \"Gatz,\" at the Public.
METAMORPHOSIS
The director Marielle Heller explores the feral side of child rearing.
THE BIG SPIN
A district attorney's office investigates how its prosecutors picked death-penalty juries.
THIS ELECTION JUST PROVES WHAT I ALREADY BELIEVED
I hate to say I told you so, but here we are. Kamala Harrisâs loss will go down in history as a catastrophe that could have easily been avoided if more people had thought whatever I happen to think.
HOLD YOUR TONGUE
Can the world's most populous country protect its languages?
A LONG WAY HOME
Ordinarily, I hate staying at someone's house, but when Hugh and I visited his friend Mary in Maine we had no other choice.
YULE RULES
âChristmas Eve in Millerâs Point.â