"I want to pivot and move and work on multiple things at once, and with that comes a lot of freedom," Johnson says.
この記事は The New Yorker の December 16, 2024 版に掲載されています。
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この記事は The New Yorker の December 16, 2024 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
すでに購読者です? サインイン
NOTE TO SELVES
The Sonoran Desert, which covers much of the southwestern United States, is a vast expanse of arid earth where cartoonish entities-roadrunners, tumbleweeds, telephone-pole-tall succulents make occasional appearances.
THE ORCHESTRA IS THE STAR
The Berlin Philharmonic doesn't need a domineering maestro.
HEAD CASE
Paul Valéry's ascetic modernism.
LOVE FOR SALE
When America tried to get on top of the sex trade.
EACH OTHER'S BACK
\"Nickel Boys.\"
NO ROOM FOR A MASTERPIECE
Rashid Johnson's art of masculine vulnerability is going to the Guggenheim.
THE BATTLE FOR FRANCE
President Emmanuel Macron has plunged the country into chaos.
BOOK A STRESS-FREE GETAWAY
Recently refurbished houseboat. Sleeps four guests comfortably, and many more less comfortably, but it's definitely doable and safe, though no jumping all at once, please.
LEG WORK
A surgeon and an engineer reimagine the prosthetic limb.
BASIC INSTINCT
A feminist director takes on the erotic thriller.