We have Steve Howe to thank for extending progressive rock’s boundaries beyond the horizon. The Yes guitarist’s jazz sensibility and musical curiosity shaped a sound that continues to evolve. His conceptual new solo album Guitarscape comprises a diverse array of chordal-driven guitar instrumentals, recorded with his son Dylan on drums.
What guitar did you learn on?
I think it cost £14. I bought it in King’s Cross, London. It was just a brownish archtop kind of guitar, two f-holes and a bridge. Nothing fancy.
It wasn’t a Framus but it was like that kind of guitar, and that was the first instrument that I owned. I was very grateful my Dad bought it for me. That was in 1959, and I really started in 1960.
How much did you practise in the early days, and how much do you practice now?
The answer is simple. I don’t practice, because I don’t think that practicing in itself is necessary unless I haven’t played for a long time and I want to do some warming up, then yeah, I might do some scales, and I have got an interesting kind of run-up thing that starts quite steady and then gets faster where you go through every note on the guitar.
I love doing those but I don’t do them very often, and usually because I am in touch with my guitar. My hands have been playing for 60 years, so basically they do know where the frets are.
Sometimes I like to play something I wrote to make sure I can still play it. I hadn’t played Clap [his instrumental track from 1971’s The Yes Album] for about two months, and I sat down and picked up a Martin and went, ‘Play Clap,’ and I played the whole thing! That is my confirmation, periodically, if I need it, because I don’t play it a lot.
Who was your biggest influence or what was your biggest motivation as a player?
この記事は Total Guitar の November 2024 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
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この記事は Total Guitar の November 2024 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
すでに購読者です? サインイン
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