She promptly signed up with the idea of casting her own garden through the seasons, and then started practising at home using the basic skills she’d learned at the workshop. What started as a personal project centred on her own stunning garden in Fife became a hobby-business, and she then taught me how to cast in early 2019. Since then, I have taken over as the main maker and creative behind our business, Imprint Casts. My current collection is the result of years of experimentation and research into techniques and materials, a lot of broken casts and clay pummelling, as well as encouragement from family, friends and clients.
The first house my parents built was in Elie, so my early years were spent by the sea. Then we moved along the coast to Upper Largo, where Mum and Dad bought an old dilapidated farm steading which they slowly converted into our family home; the garden here and surrounding woodlands have had such an impact on my botanical casting.
この記事は Homes & Interiors Scotland の May - June 2023 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
すでに購読者です ? サインイン
この記事は Homes & Interiors Scotland の May - June 2023 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
すでに購読者です? サインイン
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MEET THE MAKER RACHEL MACLELLAN
You might think the process is purely creative, but designing knitted textiles requires a deep understanding of geometry and pattern calculations. It is intricate and often mathematical. I have learned that knitting demands a constant balance between artistry and engineering. Creating a new textile involves not only selecting colours and yarns but also considering the tensile strength, elasticity and drape of the material. That way, I ensure the final product is both aesthetically pleasing and functional. To me, this blend of creativity and technical precision is a fascinating aspect of knitted textile design.
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LAURA THOMAS
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