BACK IN COLLEGE, JOEL KIM BOOSTER WROTE A one-act play called Layover, about a guy passing through Chicago who gets snowed in after his ex-girlfriend has died by suicide. The guy bunks for a while with the ex's estranged sister, who is desperate to figure out who the dead woman really was. Booster was striving for emotional seriousness-depth à la "a nineteen-year-olds version of what fucked-up is." And sure enough, after the show a young woman came up to him so moved that she was in tears.
Booster had been performing his whole life, but until that moment he hadn't clicked into the power of dramatic writing. Nearly two decades later, with pride still plain in his voice, the thirty-six-year-old actor, comedian, and screenwriter clarifies: By the way, that serious play was actually pretty funny. But when you're nineteen, you think the most powerful writing in the world makes people cry.
It's not until you're a little older, when you've lived a little or a lot-and maybe built a career in standup comedy-that you learn the truth: The real power is in making people laugh. A genuine laugh, one that comes from deep down and takes your breath away, is something you can't fake.
この記事は Esquire US の April - May 2024 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
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この記事は Esquire US の April - May 2024 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
すでに購読者です? サインイン
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