Bell ringer: Chris Wheatley Portrait: Michael Putland/Getty Images
Undoubtedly one of the most naturally gifted musicians ever to have come out of England, Mike Oldfield celebrates his 70th birthday this year, which coincides with the 50th anniversary of his first solo album, Tubular Bells. Born in Reading, Berkshire, Mike’s first professional music experience came as half of folk duo, The Sallyangie, alongside his sister Sally. He then came to the attention of Kevin Ayers, playing on two classic albums, Shooting At The Moon and Whatevershebringswesing. By 1971, Oldfield was a bassist in blues-rock group The Arthur Louis Band and worked on solo material in his spare time. It was in September of that year that a fateful meeting occurred. The Arthur Louis Band decamped for recording sessions to The Manor Studio in Oxfordshire, a newly built facility owned by businessman Richard Branson and run by producer-engineers Tom Newman and Simon Heyworth.
It was Newman and Heyworth who first heard the solo material that Oldfield was working on. Impressed by the young multi-instrumentalist’s skill and vision, the pair were determined to record his work. They soon talked Branson into allocating official studio time for Oldfield’s project and the finished album went on to become the very first release on Virgin Records. Since then, Tubular Bells has grown into a phenomenon, and Mike Oldfield has enjoyed a long and illustrious career.
Speaking from his home in the Bahamas, Oldfield talks with passion of his formative musical experiences.
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この記事は Prog の Issue 140 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
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